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general reports
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19 May 2008 |
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A hearty thanks and farewell to our guest bloggers, Andrew Hetherington (www.whatsthe jackanory.com ) and Michael David Murphy (2point8.whileseated.org ) for their insightful and enthralling posts from the New York Festival over the past four days. We look forward to working together on similar projects in the future. In the meantime we encourage our readers to keep an eye on their sites for more insider photography news, exposés, and opinion.
A huge thanks also to the Foto8 staff who were on the ground in New York coordinating and generating coverage: Leo, Lally and Grace. I look forward to seeing more of the same again on Foto8.com throughout the year as we report from a wide mix of photography festivals from around the world, always with our eye on photojournalism and making sure we keep it real.
Next up Photo España from Madrid from 3rd June! Are you going? Get in touch with us and share your own reports via Foto8!
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Andrew Hetherington
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19 May 2008 |
I was pretty much wiped out by the time the weekend rolled around. I
feel like I have overdosed on everything photography and am ready for a
stint in rehab.
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Leo Hsu
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18 May 2008 |
"Chisel", one of the four main exhibitions at the New York Photo
Festival, presents contemporary photography that “converses with
painters and sculptors”. "The Ubiquitous Image" shows work that is conceptual and sits squarely in the
art world, and there is no suggestion of a desire to document in any
traditional authored sense.
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Michael David Murphy
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18 May 2008 |
In looking over my notes for the past four days, there's no right way
to push them toward coherence. Powerpoint was invented for a reason,
right? Here goes; a bulleted re-cap of NYPH08:
* If you're a photographer and you think you're pretty smart and have a
lot to say, you probably missed Simon Norfolk's lecture. His staggering
presentation was the kind of thing that didn't just suck the wind from
your sails, it took down the rigging, dismantled the boat, handed you a
life preserver, and said, "good luck." .
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