Though Stephen Shore’s earliest black and white photographs were favourably received, his reputation was built on two bodies of work in colour - American Surfaces and Uncommon Places - assembled from pictures taken during a series of 1970s road trips across the United States.

An extraordinary third project from the era - Road Trip Journal - has languished largely unseen, until now. Like its predecessors, the Journal attests to Shore’s fascination with the banalities of popular culture and the idiosyncrasies of the vernacular.

Stephen Shore spoke to Guy Lane about his work, and desire to produce a distinctly impersonal diary. 

Vanessa Winship's photographs of schoolgirls in rural Turkey have been met with critical and curatorial acclaim. Resolutely low-tech and shot using a plate camera - or what she calls a "box with two holes" - the portraits mark an attempt to "strip down the photographic gymnastics" of photojournalism.

In the week the pictures go on show at Les Rencotres D'Arles, and see publication in book form, Winship spoke to Guy Lane about the project.

Signed Copies from a limited run of 500 available here