Opinion, commentary and observations on what's happening in contemporary photography right now.
Articles and blogs by our own writers: Leo Hsu , Guy Lane and the Foto8 staff, plus independent contributor articles exclusive to Foto8.
Foto8 reports from the New York Photo Festival, and PhotoEspana...
Read more here.
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Written by David Campbell
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28 Mar 2008 |
 Adam Broomberg and Oliver Chanarin’s essay on the WPP jury process
( "Unconcerned but not Indifferent” - see Foto8 07 Mar 08 ) is a provocative insight to a
previously little-understood process, and is laced with important
observations on the function and status of photojournalism.
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Written by Leo
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27 Mar 2008 |
 A look at the Reuters multimedia presentation Bearing Witness: Five Years of the Iraq War, and journalists' perspectives on reporting in Iraq.
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Written by Guy Lane
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27 Mar 2008 |
 Addressing an audience at the Victoria and Albert museum recently, Tod
Papageorge recalled the moment in 1962 when he decided to become a
photographer. He was studying poetry at the University of New Hampshire
when he came across two pictures from what he described as “a totally
radical body of photographic work, one of the great artistic
achievements of the twentieth century – that includes all media”
Read more...
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Written by Jon
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19 Mar 2008 |
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 Philip Jones Griffiths,
born Rhuddlan, Wales, 18 February 1936
died 18 March 2008.
"Philip enriched all our lives with his courage, his empathy, his
passion, his wit and his wisdom; and for many he gave to
photojournalism its moral soul. He died as he wanted so passionately that we should live — in peace."
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Written by Leo
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19 Mar 2008 |
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What is preserved in a photo that has been defaced, and what is really being said when you paste a smiley over a kid's face in their school picture?
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Written by Lauren Heinz
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17 Mar 2008 |
 Everyone is familiar with the notion that the internet is rapidly taking over, invading every aspect of our lives, drastically changing how we interact with others and define ourselves. We are taunted with the prediction that in the near future our lives will be played out primarily on a cyber platform. But does this dismiss a longing for the physical? And what about our relationship with print culture? Do we not still want to own and covet beautifully created objects that hark back to the so-called “golden age” of publishing?
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