The Death of Ian Tomlinson: A Photographer's Account

Written by Michael Grieve |  24 Aug 2010 |  Blogs

Michael Grieve recounts his experience photographing the G20 protests and of participating in the IPCC investigation into the death of Ian Tomlinson. Although PC Horwood was not charged, Grieve’s pictures and account contribute to a larger narrative about police accountability.
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Judging the 2010 Summershow

Written by Lauren Heinz |  27 Jul 2010 |  Blogs

A look at how this year's Summershow judges came to their decision, along with their own personal favourites.
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Operation Enduring Incarceration: Part Two

Written by Afghan Hound |  22 Jul 2010 |  Blogs

Part Two of our Afghan Hound's incarceration ordeal.
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Operation Enduring Incarceration: Part One

Written by Afghan Hound |  15 Jul 2010 |  Blogs

The Afghan Hound suffers some arrested development in the high security US military base in Kabul, Camp Eggers.
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Punctured: When a killed image is not dead

Written by Leo Hsu |  08 Jul 2010 |  Blogs

FSA photos brought back to life, albeit scarred. Leo Hsu reviews William E. Jones’ Punctured.
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Harry Ransom Center unveils the Magnum Archive

Written by Vish Vishvanath |  24 Jun 2010 |  Blogs

"Welcome, you're officially the first Magnum patron!", declared the archivists at the Harry Ransom Center in Austin, Texas, as I sauntered in the door on Wednesday. The generosity and warmth of this place is truly wonderful. I think I'm in love.
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Toppled

Written by Guy Lane |  24 Jun 2010 |  Blogs

Guy Lane reviews Florian Gottke's Toppled, a study of occupying forces' iconoclasm of monuments to Saddam Hussein.
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A Child From Everywhere

Written by Max Houghton |  17 Jun 2010 |  Blogs

© Caroline Irby
Caroline Irby photographs children who have immigrated to the UK from 185 of the 192 nations recognized by the UN.  Max Houghton reviews the book.
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Exposed at the Tate Modern

Written by Guy Lane |  03 Jun 2010 |  Blogs

Weegee (Arthur Fellig) Lovers at the Movies (detail) c1940 San Francisco Museum of Art © Weegee / International Center of Photography / Getty Images

The premise of Exposed – better conceived and more sharply focused than previous Tate blockbusters – is that the camera has facilitated, encouraged or licensed various forms of (previously) illicit, voyeuristic looking. Guy Lane reports.
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Part Two: Taking Care of Business the Afghan Way

Written by Afgan Hound |  27 May 2010 |  Blogs

Following on from the trials and tribulations of my epic visa renewal saga....
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