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Though Stephen Shore’s earliest black and white photographs were favourably received, his reputation was built on two bodies of work in colour - American Surfaces and Uncommon Places - assembled from pictures taken during a series of 1970s road trips across the United States.
An extraordinary third project from the era - Road Trip Journal - has languished largely unseen, until now. Like its predecessors, the Journal attests to Shore’s fascination with the banalities of popular culture and the idiosyncrasies of the vernacular.
Stephen Shore spoke to Guy Lane about his work, and desire to produce a distinctly impersonal diary.
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