Marc Garanger's 1960 identity card portraits of Algerian women are shown in the US for the first time at New York Photo Festival. What are the right questions to ask?
It’s increasingly rare to hear good news from a photo agency, except of course when we witness a relaunch, reboot and revitalization in one of the industry's leading lights.
Max Houghton negotiates cliff top trails around the island of Guernsey along with the whims of a legendary photographer in an attempt to realise her pre-arranged interview with Josef Koudelka.
“Is Photography Over?” SFMOMA assembles art critics and curators who point at the art world for letting the air out of art photography. The danger here is not only of painting all of photography with a broad brush but of taking the photography of the art world as representative of photographic possibilities.
My invalid / illegal visa expires in one day. I am an alien. I’m an illegal alien. I’m an Englishman in HECHLAND and tears are now rolling down my eyes. I am laughing like a drain. It’s just another absurd day in Afghanistan.
Mog is back and trying to decide where he stands on the issue of picture manipulation, in the light of the furore surrounding the disqualification of Stepan Rudik by World Press Photo.
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