{"version":"1.0","provider_name":"FOTO8","provider_url":"https:\/\/www.foto8.com\/live","title":"In History - Susan Meiselas - FOTO8","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"bUKh00LLGl\"><a href=\"https:\/\/www.foto8.com\/live\/in-history-susan-meiselas\/\">In History &#8211; Susan Meiselas<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.foto8.com\/live\/in-history-susan-meiselas\/embed\/#?secret=bUKh00LLGl\" width=\"600\" height=\"338\" title=\"&#8220;In History &#8211; Susan Meiselas&#8221; &#8212; FOTO8\" data-secret=\"bUKh00LLGl\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/11\/mei9.jpg?fit=470%2C315&ssl=1","thumbnail_width":470,"thumbnail_height":315,"description":"\"While working in Nicaragua, El Salvador and Central America,I was very driven with the idea that, 'I\u2019m seeing something now. Will it ever be quite like this again?' So the energy of my eye was focused in a particular way, because things were so critical and unpredictable.\" \u00a0 On the occasion of a major exhibition of her work in New York, Susan Meiselas speaks to Guy Lane from Paris Photo about her photography, Carnival Strippers, projects in Kurdistan, and her critics. \u00a0 \u00a0"}