{"id":1086,"date":"2008-10-03T05:56:26","date_gmt":"2008-10-03T05:56:26","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=1086"},"modified":"2008-10-03T05:56:26","modified_gmt":"2008-10-03T05:56:26","slug":"olivo-barbieris-waterfall-project","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/olivo-barbieris-waterfall-project\/","title":{"rendered":"Olivo Barbieri&#8217;s Waterfall Project"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/wf1.jpg?resize=470%2C340&#038;ssl=1\" onmouseout=\"this.src='http:\/\/www.foto8.com\/home\/https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/wf1.jpg?resize=470%2C340&#038;ssl=1';\" alt=\"\u00a9 Olivo Barbieri\" title=\"\u00a9 Olivo Barbieri\" style=\"width: 470px; height: 340px;\" height=\"340\" width=\"470\" data-recalc-dims=\"1\" \/><\/p>\n<p><span class=\"photo_copyright\">\u00a9 Olivo Barbieri \/ Yancey Richardson Gallery, NYC<\/span><\/p>\n<p>\u00a0<\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">Despite the fact that water has never, yet, been a primary cause of violent conflict, a recent OECD briefing warned that \u201cwater-related tensions\u201d threatened to emerge at local, national, international and even global levels. It is timely, then, that Italian photographer Olivo Barbieri\u2019s latest work <em>The Waterfall Project<\/em> is motivated in part by recognition of the cultural and political importance of water in the 21<sup>st<\/sup> century: \u201cI wanted to look at the natural environment and, before even oil, the most important liquid in the world is water.\u201d<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\"><o:p> <\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">\u201cBut it is very difficult to see water because when you look at a river or at the sea \u2013 you see something flat. The only way to see or visualise water is to take a picture of a waterfall \u2013 so I started <em>The Waterfall Project<\/em>.\u201d <o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\"><o:p> <\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">\u201cThe places where I took the pictures are all very important areas in the world: Victoria Falls in Africa, Iguazu in South America, Khone Papeng in <st1:country-region w:st=\"on\">Laos<\/st1:country-region>, and Niagara in the <st1:country-region w:st=\"on\"><st1:place w:st=\"on\">USA<\/st1:place><\/st1:country-region>. But what interested me is that they are all on very important borders: Victoria Falls, for example, is on the border between <st1:country-region w:st=\"on\">Zambia<\/st1:country-region> and <st1:country-region w:st=\"on\">Zimbabwe<\/st1:country-region>; Iguazu is between <st1:country-region w:st=\"on\">Argentina<\/st1:country-region> and <st1:country-region w:st=\"on\"><st1:place w:st=\"on\">Brazil<\/st1:place><\/st1:country-region>, and so on. In the past these border areas have been very important in the establishment of nation-states\u201d.<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\"><o:p> <\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">\u201cAlso I very soon discovered that the falls survive because of mass tourism \u2013 without it they would probably be lost. They are like parks; but much more similar to Disneyland than <st1:place w:st=\"on\">Yosemite<\/st1:place>. For example &#8211; at night, when are the lights are off, the water at <st1:place w:st=\"on\">Niagara<\/st1:place> is turned down. That means that the water is only intended as a spectacular point of interest. Yes, it is used it to produce electricity underground\u2026but the falls survive because a lot of tourists every day want to see them. It is the same at Iguazu, where the flow of the waterfall is regulated by the famous dam upriver.\u201d<o:p><\/o:p><\/span><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/wf2.jpg?resize=470%2C349&#038;ssl=1\" onmouseout=\"this.src='http:\/\/www.foto8.com\/home\/https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/wf2.jpg?resize=470%2C349&#038;ssl=1';\" alt=\"\u00a9 Olivo Barbieri\" title=\"\u00a9 Olivo Barbieri\" style=\"width: 470px; height: 349px;\" height=\"349\" width=\"470\" data-recalc-dims=\"1\" \/><\/p>\n<p><span class=\"photo_copyright\">\u00a9 Olivo Barbieri  \/ Yancey Richardson Gallery, NYC<\/span><\/p>\n<p>\u00a0<\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">Barbieri is best known for the innovative and distinctive Site Specific series of aerial photographs of major world cities including <st1:city w:st=\"on\">Las Vegas<\/st1:city>, <st1:city w:st=\"on\">Shanghai<\/st1:city>, <st1:city w:st=\"on\">Rome<\/st1:city> and <st1:city w:st=\"on\"><st1:place w:st=\"on\">Amman<\/st1:place><\/st1:city>. Though taken from a helicopter, the pictures constitute a thorough re-working of the priorities and rationale of aerial photography. His use of a tilt-shift lens creates a single plane of tightly focussed and precisely detailed pictorial content, while rendering the remainder of the image as vaguely realised fields of colour. An unforeseen consequence was that the world began to appear as if it belonged in a toyshop window \u2013 \u201cI started to experiment with selective focus, but what was more interesting for me was that I discovered that not only can I decide what is important, but that everything looked like a model.\u201d Further, the intensified colours \u2013 especially the saturated greens (\u201cAll my generation of photographers was very frustrated because we always got a colour somewhere between a green and a brown. Now we get real green \u2013 it\u2019s something very new\u201d) \u2013 augmented the apparently unreal, hand-made quality of the scenes.<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\"><o:p> <\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">These techniques are brought to bear on <em>The Waterfall Project<\/em> with the result that, for example, the 19 million cubic feet of water that cross the crest of the Victoria Falls (per minute) now appear as a pin sharp trickle amidst fields of white haze. Miniature tourists seem to pick their way through forests of cauliflower; swathes of land and water are re-made as colour-saturated smears. If aerial photography is conceived as a means of reconnaissance or surveillance, then these pictures most surely fail.<o:p><\/o:p><\/span><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/wf3.jpg?resize=470%2C342&#038;ssl=1\" onmouseout=\"this.src='http:\/\/www.foto8.com\/home\/https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/wf3.jpg?resize=470%2C342&#038;ssl=1';\" alt=\"\u00a9 Olivo Barbieri\" title=\"\u00a9 Olivo Barbieri\" style=\"width: 470px; height: 342px;\" height=\"342\" width=\"470\" data-recalc-dims=\"1\" \/><\/p>\n<p><span class=\"photo_copyright\">\u00a9 Olivo Barbieri  \/ Yancey Richardson Gallery, NYC<\/span><\/p>\n<p>\u00a0<\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">Barbieri of course has a different agenda \u2013 \u201cMy idea is to see the falls for the first time, like something new, not like something that has existed for centuries and millennia. I think in <em>The Waterfall Project<\/em> you can understand that there is something different, but you don\u2019t know exactly what. It is very important because it is a way to see anew these very famous places and areas of the world.\u201d <o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\"><o:p> <\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">\u201cYou can see it anew; take photographs again, without producing the same old pictures. You have the possibility to take different, interesting pictures \u2013 pictures that make you curious to understand\u2026We can consider the world anew. We can see the world anew.\u201d<o:p><\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\"><o:p> <\/o:p><\/span><\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">\u00a9 <st1:street w:st=\"on\"><st1:address w:st=\"on\">Guy Lane<\/st1:address><\/st1:street>, 2008<\/span><\/p>\n<p class=\"MsoNormal\">\u00a0<\/p>\n<p class=\"MsoNormal\"><span style=\"font-size: 10pt; font-family: Arial;\" lang=\"EN-GB\">The Waterfall Project \u2013 Olivo Barbieri (Damiani, \u00a329.99)<o:p><\/o:p><\/span><\/p>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/barb.jpg\" onmouseout=\"this.src='http:\/\/www.foto8.com\/home\/https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/barb.jpg';\" alt=\"\u00a9 Olivo Barbieri\" title=\"\u00a9 Olivo Barbieri\" style=\"width: 200px; height: 289px;\" height=\"289\" width=\"200\" \/><\/p>\n<div>Italian photograher Olivo Barbieri talks to Guy Lane about The Waterfall Project, a major new body of work &#8211; made in Africa, Asia, and North and South America &#8211; exploring the cultural meanings ,and aesthetic potential, of some of the world&#8217;s most powerful waterfalls.<\/div>\n","protected":false},"author":1,"featured_media":1082,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[19],"tags":[393,397,3259,66,394,46,359,400,396,398,395,402,49,401,48,341,399],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - 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And about why his pictures are not the work\u2026","rel":"","context":"In &quot;Blogs&quot;","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"\u00c2\u00a9 John Duncan","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/07\/blogbon1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2091,"url":"https:\/\/www.foto8.com\/live\/jeff-wall-the-complete-edition\/","url_meta":{"origin":1086,"position":2},"title":"Jeff Wall: The Complete Edition","author":"Jon","date":"25 Jan 2010","format":false,"excerpt":"Guy Lane reviews Jeff Wall- The Complete Edition, a survey of Wall's range of works.","rel":"","context":"In &quot;Blogs&quot;","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"\u00a9 Jeff Wall","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/01\/wall_wind.jpg?fit=470%2C290&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1814,"url":"https:\/\/www.foto8.com\/live\/photographing-america\/","url_meta":{"origin":1086,"position":3},"title":"Photographing America","author":"Jon","date":"27 Aug 2009","format":false,"excerpt":"Guy Lane reviews Photographing America a study of the parallels and divergences between Evans and Cartier-Bresson, on the road in the USA.","rel":"","context":"In &quot;Blogs&quot;","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2009\/08\/hcb1.jpg?fit=470%2C314&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3375,"url":"https:\/\/www.foto8.com\/live\/daniel-meadows-edited-photographs\/","url_meta":{"origin":1086,"position":4},"title":"Daniel Meadows: Edited Photographs","author":"Jon","date":"01 Dec 2011","format":false,"excerpt":"Guy Lane reviews a new book by Val Williams on the work of Daniel Meadows.","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"dm1","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/12\/dm1.jpg?fit=470%2C470&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1203,"url":"https:\/\/www.foto8.com\/live\/street-a-studio\/","url_meta":{"origin":1086,"position":5},"title":"Street &#038; Studio","author":"Jon","date":"14 Nov 2008","format":false,"excerpt":"Street & Studio Tate Modern 22 May \u2013 31 August 2008 www.tate.org.uk","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/1086"}],"collection":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/comments?post=1086"}],"version-history":[{"count":0,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/1086\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media\/1082"}],"wp:attachment":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media?parent=1086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/categories?post=1086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/tags?post=1086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}