{"id":1112,"date":"2008-10-10T07:12:56","date_gmt":"2008-10-10T07:12:56","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=1112"},"modified":"2008-10-10T07:12:56","modified_gmt":"2008-10-10T07:12:56","slug":"athens-photo-festival-adamantios-kafetzis","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/athens-photo-festival-adamantios-kafetzis\/","title":{"rendered":"Athens Photo Festival &#8211; Adamantios Kafetzis"},"content":{"rendered":"<\/div>\n<p>Adamantios Kafetzis is rather bemused at how his debut exhibition at the Kappatos Gallery has been interpreted so far. But then again, knowing that all but one of the photographs depicting people mostly of African origins in prayer were taken in Athens, there is a lot of room for interpretation. At a glance, Kafetzis is presenting a side to Athens\u2019 immigrant community beyond the bustling streets of Omonia or Kypseli. However, according to him, this is not the case. \u201cI\u2019m not interested in immigrants, I\u2019m interested in religion and people\u2019s need for it,\u201d he insists. <\/p>\n<p> <img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/kafetziskapatos_gallery2.jpg?resize=470%2C470&#038;ssl=1\" alt=\"\u00a9Adamantios Kafetzis\" title=\"\u00a9Adamantios Kafetzis\" style=\"width: 470px; height: 470px;\" height=\"470\" width=\"470\" data-recalc-dims=\"1\" \/><br \/> This interest stems from a six month trip to Senegal, where he observed the dominance of faith in daily life. \u201cIt was a different world, completely different to what I know.\u201d The lure of the unknown he experienced in Africa is clearly expressed in the only image in the show taken in Senegal; the man in white, with his back to the viewer. \u201cI find African subjects more interesting visually, and it also has to do with the fact that it is foreign and something different. This happens when you go to another country, which is what happened to me in Senegal.&nbsp; And you can find that in Athens, too. To some its nice, to others, it is frightening.\u201d For Kafetzis, this is simply his reality.<\/p>\n<p> \u201cIn a way, these images reflect what I see everyday. Some of my oldest friends are immigrants, so I don\u2019t see them as such. I grew up in Pagrati where the first wave of arrived in the late 80s. At that age we connected over two things; football and music.\u201d This multi-cultural upbringing obviously affected Kafetzis in a profound way. A DJ and collector of African music ever since, the effects are also evident in his photographs. The only image lacking an overt religious context in the show portrays an African footballer crouched down in the locker room.&nbsp; \u201cThat footballer is a player for AEK, but if people see him on the streets, he\u2019s just another immigrant. The population of Athens tells us it is a global city, but look closely and there is a lot of separation.\u201d<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/kafetziskapatos_gallery1.jpg?resize=470%2C470&#038;ssl=1\" alt=\"\u00a9Adamantios Kafetzis\" title=\"\u00a9Adamantios Kafetzis\" style=\"width: 470px; height: 470px;\" height=\"470\" width=\"470\" data-recalc-dims=\"1\" \/><\/p>\n<p> On the other hand, Kafetzis reveal that his project, which took one year to complete, was only shot in Athens as he did not have the money to travel. Many of the images were in fact staged by Kafetzis himself, at locations that often took him months to find and his own friends as models. \u201cI had a very clear idea of what I wanted to do.\u201d For Kafetzis, his curiosity lies in the divine connection between faith and the faithful, and he chose his locations specifically to not look like Athens. Pointing at the image of a man crouched in prayer before a sketch of a saint wrapped in white robes that Kafetzis drew; he identifies a spot on the wall that has been painted white. \u201cThere was an anarchy sign here, as the room is located at the University. I had to wipe that off.\u201d<\/p>\n<p> Nevertheless, whether Kafetzis wanted to link his project to Athens and its multi-cultural make-up; he inadvertently did, and the strength of the show lies in that very ambiguity. By photographing the ethnic Athenian community alongside the Greek community, Kafetzis has indirectly given us an insight into their world as it exists next to the Greek one. \u201cWe know nothing about immigrant experiences in Athens and we say things about them because we don\u2019t understand where they come from.\u201d Take the collection of images captured at an Ethiopian Orthodox church in Polygonos.&nbsp; Led behind closed doors into the personal and private space of a local community, \u201clook at the women and you can see they are covering their faces.\u201d Could it be that we have intruded on their spiritual and cultural refuge in a foreign city? Kafetzis gives no answer. \u201cI will accept whatever people want to say about the show because there is no right or wrong way to look at it. But what I wonder is this; if I hadn&#8217;t been honest about where these images were taken, would people have noticed the difference?\u201d<br \/> <strong><br \/> Adamantios Kafetzis, Mysticism and Art a<\/strong>t the Kappatos Gallery, Athinas 12, Omonia, Athens<br \/> Tel. 210 3217931, Open Tu \u2013 F, 12:00 \u2013 20:00<\/p>\n","protected":false},"excerpt":{"rendered":"<div><a href=\"index.php?option=com_content&amp;view=article&amp;id=680:athens-photo-festival-adamantios-kafetzis-&amp;catid=105&amp;Itemid=466\" target=\"_self\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/kafetziskapatos_gallery200.jpg\" alt=\"\u00a9Adamantios Kafetzis\" title=\"\u00a9Adamantios Kafetzis\" style=\"width: 200px; height: 200px;\" height=\"200\" width=\"200\" \/><\/a> <br \/>Adamantios Kafetzis is rather bemused at how his debut exhibition at the Kappatos Gallery has been interpreted so far&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1109,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[19],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Athens Photo Festival - Adamantios Kafetzis  - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/athens-photo-festival-adamantios-kafetzis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Athens Photo Festival - Adamantios Kafetzis  - FOTO8\" \/>\n<meta property=\"og:description\" content=\"Adamantios Kafetzis is rather bemused at how his debut exhibition at the Kappatos Gallery has been interpreted so far...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.foto8.com\/live\/athens-photo-festival-adamantios-kafetzis\/\" \/>\n<meta property=\"og:site_name\" content=\"FOTO8\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Foto8\/\" \/>\n<meta property=\"article:published_time\" content=\"2008-10-10T07:12:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/10\/kafetziskapatos_gallery200.jpg?fit=200%2C200&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jon\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jon\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.foto8.com\/live\/athens-photo-festival-adamantios-kafetzis\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.foto8.com\/live\/athens-photo-festival-adamantios-kafetzis\/\"},\"author\":{\"name\":\"Jon\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137\"},\"headline\":\"Athens Photo Festival &#8211; 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