{"id":1688,"date":"2009-06-23T10:50:59","date_gmt":"2009-06-23T10:50:59","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=1688"},"modified":"2009-06-23T10:50:59","modified_gmt":"2009-06-23T10:50:59","slug":"living-with-war-portraits","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/","title":{"rendered":"Living with War &#8211; Portraits"},"content":{"rendered":"<\/div>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>I once came across a recording of the folk singer John Prine, that tender but sharp witness to the troubled but trying, poor American soul. He was relating to an audience on a quiet day in Washington when, killing time before a show, he went with a friend to find the Vietnam Veterans Memorial. He describes taking the index in hand and, hardly believing the extent of the directory that listed the 58,260 fallen, the friends searched until they found reference to someone they had both known and lost in the conflict.<\/p>\n<p> This personal thread, amid the numerous pages of the fallen and ordinary, this brief but important significance, perhaps chimes with the moment that Judith Ross chose to relate in her photographs of similar visitors in 1983. At the same memorial, she photographed with her 10&#215;8 camera across the first two years of its opening, making the four-hour drive from her small Pennsylvanian town to work there. Ross began a chapter of work that she must have felt moved to do. While maintaining a formal integrity that is consistent with her earlier portraits, her new subject moved beyond those in safe and rural childhoods, who felt an absolute belonging to the America stretching out ahead of them. Under the grey, flat light from which Ross has so often come to build the portraits in this handsome and affecting book, Maya Lin\u2019s solemn construction could never have felt like anyone\u2019s home.<\/p>\n<p> Ross\u2019 work is an important extension of a lineage in American portrait photography that moves on from Diane Arbus\u2019 interest in the discordant exotic. Yet perhaps her work more closely acknowledges the quieter America that Chauncey Hare was drawn to in the 1970s \u2013 those citizens who people the industries and unremarkable communities and who, when the time inevitably comes, see their children leave to fight the filthy wars. Judith Ross has moved along this trajectory, continuing her consideration of the impact of conflict in 1990 when she photographed reservist soldiers, on Red Alert and waiting for mobilisation to the Gulf War and its inevitable consequences.<\/p>\n<p> The emotional register Ross finds in her subject is extended through the precise detail in the resulting negative. It\u2019s in the working procedure that the camera demands and in the acceptance Ross has for the manner in which her subjects hold themselves in front of her lens. The large format camera meant that she could work in a manner that has paced photography\u2019s many seasons. Isolated by a process that turns backgrounds into shallow pools of shade or shadow, winter light occludes young protesters\u2019 faces, sharpening eyes until they are glass-like, shining and distant.<\/p>\n<p> Thinking about the 10&#215;8 camera might bring suggestions of precision, of accuracy, yet there is something successfully loose about Ross\u2019s pictures. There is detail, the shallow depth of focus rendering faces ever more urgently as the book progresses, isolating hair that blows across cheeks on these bright yet never comfortable days. But there is also an openness. Hands sometimes drift out of the frame, the cloth slogans, ribbons and tags pinned onto jackets drift to nothing, their messages dulled.<\/p>\n<p> It\u2019s this looseness, the dependence on a few simple elements in the frame that contributes significantly to the aura in Ross\u2019 work. Further refined by the printing-out process, that allows print detail to emerge slowly to daylight before being warm-toned, they rely on very little. The pictures are occasionally confounding in their depth, beautifully clear studies that betray the potential of photography. While making particular the resonance of war, these pictures seem to do more. Perhaps like Prine\u2019s \u201cSam Stone\u201d \u2013 which details the long-term consequences of those affected by Vietnam with such aching detail \u2013 they speak of the long term, of the impact on lives that more common histories rarely \u2013 or adequately \u2013 choose to note. <br \/> <strong>Ken Grant<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<div><a href=\"index.php?option=com_content&amp;task=view&amp;id=931&amp;Itemid=77\" target=\"_self\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2009\/06\/ross_living_cover_c.jpg\" alt=\"ross_living_cover_c.jpg\" title=\"ross_living_cover_c.jpg\" style=\"width: 150px; height: 189px; float: left;\" class=\"review_photo\" height=\"189\" width=\"150\" \/><\/a> Judith Joy Ross<br \/> Published by Steidl<br \/> www.steidlville.com<br \/> \u00a327.50<br \/> (164pp Hardback)  <\/p>\n","protected":false},"author":1,"featured_media":1687,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[22],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Living with War - Portraits - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Living with War - Portraits - FOTO8\" \/>\n<meta property=\"og:description\" content=\"Judith Joy Ross Published by Steidl www.steidlville.com \u00a327.50 (164pp Hardback)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/\" \/>\n<meta property=\"og:site_name\" content=\"FOTO8\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Foto8\/\" \/>\n<meta property=\"article:published_time\" content=\"2009-06-23T10:50:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2009\/06\/ross_living_cover_c.jpg?fit=150%2C189&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"150\" \/>\n\t<meta property=\"og:image:height\" content=\"189\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jon\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jon\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/\"},\"author\":{\"name\":\"Jon\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137\"},\"headline\":\"Living with War &#8211; Portraits\",\"datePublished\":\"2009-06-23T10:50:59+00:00\",\"dateModified\":\"2009-06-23T10:50:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/\"},\"wordCount\":645,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\"},\"articleSection\":[\"Reviews\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/\",\"url\":\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/\",\"name\":\"Living with War - Portraits - FOTO8\",\"isPartOf\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#website\"},\"datePublished\":\"2009-06-23T10:50:59+00:00\",\"dateModified\":\"2009-06-23T10:50:59+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.foto8.com\/live\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Living with War &#8211; Portraits\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.foto8.com\/live\/#website\",\"url\":\"https:\/\/www.foto8.com\/live\/\",\"name\":\"FOTO8\",\"description\":\"The home of photojournalism.\",\"publisher\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.foto8.com\/live\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\",\"name\":\"FOTO8\",\"url\":\"https:\/\/www.foto8.com\/live\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1\",\"width\":124,\"height\":51,\"caption\":\"FOTO8\"},\"image\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/Foto8\/\",\"https:\/\/twitter.com\/foto8\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137\",\"name\":\"Jon\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g\",\"caption\":\"Jon\"},\"url\":\"https:\/\/www.foto8.com\/live\/author\/wpadmin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Living with War - Portraits - FOTO8","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/","og_locale":"en_US","og_type":"article","og_title":"Living with War - Portraits - FOTO8","og_description":"Judith Joy Ross Published by Steidl www.steidlville.com \u00a327.50 (164pp Hardback)","og_url":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/","og_site_name":"FOTO8","article_publisher":"https:\/\/www.facebook.com\/Foto8\/","article_published_time":"2009-06-23T10:50:59+00:00","og_image":[{"width":150,"height":189,"url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2009\/06\/ross_living_cover_c.jpg?fit=150%2C189&ssl=1","type":"image\/jpeg"}],"author":"Jon","twitter_misc":{"Written by":"Jon","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/#article","isPartOf":{"@id":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/"},"author":{"name":"Jon","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137"},"headline":"Living with War &#8211; Portraits","datePublished":"2009-06-23T10:50:59+00:00","dateModified":"2009-06-23T10:50:59+00:00","mainEntityOfPage":{"@id":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/"},"wordCount":645,"commentCount":0,"publisher":{"@id":"https:\/\/www.foto8.com\/live\/#organization"},"articleSection":["Reviews"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.foto8.com\/live\/living-with-war-portraits\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/","url":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/","name":"Living with War - Portraits - FOTO8","isPartOf":{"@id":"https:\/\/www.foto8.com\/live\/#website"},"datePublished":"2009-06-23T10:50:59+00:00","dateModified":"2009-06-23T10:50:59+00:00","breadcrumb":{"@id":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.foto8.com\/live\/living-with-war-portraits\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.foto8.com\/live\/living-with-war-portraits\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.foto8.com\/live\/"},{"@type":"ListItem","position":2,"name":"Living with War &#8211; Portraits"}]},{"@type":"WebSite","@id":"https:\/\/www.foto8.com\/live\/#website","url":"https:\/\/www.foto8.com\/live\/","name":"FOTO8","description":"The home of photojournalism.","publisher":{"@id":"https:\/\/www.foto8.com\/live\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.foto8.com\/live\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.foto8.com\/live\/#organization","name":"FOTO8","url":"https:\/\/www.foto8.com\/live\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1","width":124,"height":51,"caption":"FOTO8"},"image":{"@id":"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Foto8\/","https:\/\/twitter.com\/foto8"]},{"@type":"Person","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137","name":"Jon","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g","caption":"Jon"},"url":"https:\/\/www.foto8.com\/live\/author\/wpadmin\/"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2009\/06\/ross_living_cover_c.jpg?fit=150%2C189&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ejRI-re","jetpack-related-posts":[{"id":1335,"url":"https:\/\/www.foto8.com\/live\/eugene-smith-memorial-funds-grant-in-humanistic-photography\/","url_meta":{"origin":1688,"position":0},"title":"Eugene Smith Memorial Fund&#8217;s Grant in Humanistic Photography","author":"Jon","date":"11 Feb 2009","format":false,"excerpt":"The 2009 W. Eugene Smith Memorial Fund's Grant in Humanistic Photography is now open for entries. This year will mark the 30th anniversary of the Fund and the grant program that provides photographers with the financial freedom to carry out or complete major photographic essays.","rel":"","context":"In &quot;grants \/ competitions&quot;","block_context":{"text":"grants \/ competitions","link":"https:\/\/www.foto8.com\/live\/category\/news\/c1-grants-competitions\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":223,"url":"https:\/\/www.foto8.com\/live\/joel-meyerowitz-early-work\/","url_meta":{"origin":1688,"position":1},"title":"Joel Meyerowitz, Early Work","author":"Jon","date":"28 Oct 2007","format":false,"excerpt":"Joel Meyerowitz, Early Work Thomas Zander Galerie Cologne, Gemany dates: 27 Nov - 18 Feb '05 galariezander.com","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11152,"url":"https:\/\/www.foto8.com\/live\/syria-refugees-rebels-russell-chapman\/","url_meta":{"origin":1688,"position":2},"title":"Syria: Refugees and Rebels by Russell Chapman","author":"Russell Chapman","date":"08 Sep 2014","format":false,"excerpt":"I went to Syria in the spring of 2013 as well as refugee camps in Lebanon and Jordan. Since then, the violence has become even worse. Below is an excerpt from the introduction to the book \"Syria: Refugees and Rebels\", which is an account of my experience and focuses very\u2026","rel":"","context":"In &quot;Blogs&quot;","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/08\/Front.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/08\/Front.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/08\/Front.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/08\/Front.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/08\/Front.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":827,"url":"https:\/\/www.foto8.com\/live\/typography-of-the-titanic\/","url_meta":{"origin":1688,"position":3},"title":"Typography of the Titanic","author":"Jon","date":"02 Jul 2008","format":false,"excerpt":"Kai-Olaf Hesse Published by Expose Verlag and Belfast Exposed Photography www.belfastexposed.org \u00a315 (80pp Softback)","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3432,"url":"https:\/\/www.foto8.com\/live\/vivian-maier-street-photography\/","url_meta":{"origin":1688,"position":4},"title":"Vivian Maier Street Photographer","author":"Jon","date":"12 Jan 2012","format":false,"excerpt":"Leo Hsu reviews the long-awaited Vivian Maier Street Photographer, showcasing the recently discovered work of the previously unknown nanny.","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"\u00a9 2011 Vivian Maier","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2012\/01\/vm11_400.jpg?fit=400%2C400&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":835,"url":"https:\/\/www.foto8.com\/live\/my-brothers-keeper-documentary-photographers-and-human-rights\/","url_meta":{"origin":1688,"position":5},"title":"My Brother&#8217;s Keeper: Documentary Photographers and Human Rights","author":"Jon","date":"02 Jul 2008","format":false,"excerpt":"Published by Contrasto www.contrastobooks.com \u00a330 (320pp Hardback)","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/1688"}],"collection":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/comments?post=1688"}],"version-history":[{"count":0,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/1688\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media\/1687"}],"wp:attachment":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media?parent=1688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/categories?post=1688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/tags?post=1688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}