{"id":1694,"date":"2009-06-23T11:07:07","date_gmt":"2009-06-23T11:07:07","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=1694"},"modified":"2009-06-23T11:07:07","modified_gmt":"2009-06-23T11:07:07","slug":"tinyvices-vol1-5","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/tinyvices-vol1-5\/","title":{"rendered":"Tinyvices Vol.1-5"},"content":{"rendered":"<\/div>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>The photography world is currently experiencing an influx of a certain type of photographer. Hundreds of them are emulating a Vice-inspired, Terry Richardson style of work \u2013 photographs featuring, on the whole, sweaty scenes from nightclubs and bars, drugs, penises, dirty pants and puke \u2013 we could call it the \u201cfucked-up\u201d aesthetic. Included in this is the Ryan McGinley model of photographing daily life, in all its banalities. The style, which can only really be defined as a lack of style, is instantaneously recognisable. The market for such work is growing, with countless magazines, collectives and curators perpetuating the drive. One such notable, and hugely popular website, Tiny Vices, was set up by New York curator Tim Barber.<\/p>\n<p> Bringing this type of imagery into the book publishing realm solidifies its conquest of the industry. The Tiny Vices Vol. 1-5, published by Aperture, does, however, bring more into the mix. The five bodies of work offer a range of approaches and subject matter, perhaps why they were chosen to represent the work that Tiny Vices has to offer, while leaving the real dirt for the internet. The gem of the lot is Robin Schwartz\u2019s Amelia\u2019s World. Amelia, Robin\u2019s daughter, is pictured in each frame with an animal, either cradling or feeding some creature or having one in the background as she plays in her room. Her preoccupied, thoughtful expressions, usually not aimed at the camera, reveal something else at play here, a sort of indifference towards her pets and the camera. In most of the images we see Amelia with her rather disturbing hairless cat, in others posing with deer, elephants, kangaroos and monkeys. Without descriptive caption information, we can only assume that this family have gained some sort of privileged access to zoos and animal sanctuaries. Overall, the small publication is a strange glimpse into the mind of a child and her relationship with nature.<\/p>\n<p> One other volume of note is Allan Macintyre\u2019s Recent Events. The black and white studies in structural landscapes are almost scientific in approach, while the faces emerging from his images of volcanic trees in Hawaii are monstrous and alien. The captions, which are listed in the back, seem to link the work back within the realm of documentary photography, while firmly situated within a more formal landscape tradition \u2013 definitely a refreshing inclusion in the series, but feeling like part of another era of photography.<\/p>\n<p>\u00a0<\/p>\n<p>The work of Jamie Warren, in Don\u2019t You Feel Better, brings us back to the type of aesthetic mentioned earlier. Tipped as the next big thing within photography, Warren takes herself as the subject of all her photos, whether it be having just cooked a questionable-looking casserole, in fancy dress with bright-blue face paint, or slyly hidden among a group of plush toys. Her photographs reveal a particular type of lifestyle, dominated by the quest for the bizarre in the banal. The images do lead to a smirk now and again while seeming to mock the narcissism of the Facebook generation. The more abstract work of Jason Nocito, in Loads, concentrates on a dynamic, magazine-y layout \u2013 each image demanding concentration. There is pretty much nothing he doesn\u2019t shoot \u2013 expect people\u2019s faces, which almost always appear in shadows or turned away from the lens.<\/p>\n<p>\u00a0<\/p>\n<p>The final volume, Kenneth Cappello\u2019s Acid Drop is comprised of photos he had taken during early adolescence of himself and his pals testing out skateboarding tricks on their shared half-pipe. <br \/> The five volumes make an attractive set and rely heavily on each other to make their publishing seem substantial. Even if photography starts heading in another direction, to have these as a document of a trend in the industry is in itself a valuable venture.<br \/> <strong>Lauren Heinz<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<div><a href=\"index.php?option=com_content&amp;task=view&amp;id=934&amp;Itemid=77\" target=\"_self\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2009\/06\/tv3.jpg\" alt=\"tv3.jpg\" title=\"tv3.jpg\" style=\"width: 150px; height: 188px; float: left;\" class=\"review_photo\" height=\"188\" width=\"150\" \/><\/a> Kenneth Cappello, Allan Macintyre,<br \/> Jason Nocito, Robin Schwartz and Jamie Warren<br \/> Published by Aperture<br \/> www.aperture.org<br \/> $29.95 ea<br \/> (96pp Softback) <\/p>\n","protected":false},"author":1,"featured_media":1693,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[22],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - 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\"BEST CONSUMER MAGAZINE\" (under 40,000)\". Lucie Awards 2007 finalist - BEST PHOTOGRAPHY MAGAZINE Amnesty International UK Media Awards 2007 PHOTOJOURNALISM AWARD awarded to Andrew Testa for his story \"Acid Attacks in Bangladesh featured in 8 Magazine Vol. 5 No. 1. Magazine Design Awards\u2026","rel":"","context":"In \"8 magazine\"","block_context":{"text":"8 magazine","link":"https:\/\/www.foto8.com\/live\/tag\/8-magazine\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":633,"url":"https:\/\/www.foto8.com\/live\/ah-my-to-do-list\/","url_meta":{"origin":1694,"position":2},"title":"Jackanory: My To Do List","author":"Jon","date":"13 May 2008","format":false,"excerpt":"So what's tickling my fancy at NYPH 08. A quick look through the schedule has turned up some nuggets. Be sure to check the festival website to reconfirm times, venues and the price of admission although some of the events below are not officially listed.","rel":"","context":"In &quot;Blogs&quot;","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/05\/andrew_200.jpg?fit=200%2C200&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":622,"url":"https:\/\/www.foto8.com\/live\/ah-looking-forward-to-the-shindig\/","url_meta":{"origin":1694,"position":3},"title":"Looking Forward to the Shindig","author":"Jon","date":"11 May 2008","format":false,"excerpt":"I have never been to any of the big photo festivals like Recontres d\u2019Arles, Visa Pour L\u2019Image Perpignan, Contact Toronto or Photo Espana. Actually I have never been to a photo festival but as luck would have it I now have one in my own back yard...","rel":"","context":"In &quot;Blogs&quot;","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/05\/andrew_200.jpg?fit=200%2C200&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":345,"url":"https:\/\/www.foto8.com\/live\/v2n4\/","url_meta":{"origin":1694,"position":4},"title":"Vol.2 No.4","author":"Jon","date":"01 Mar 2004","format":false,"excerpt":"","rel":"","context":"In &quot;Back Issues&quot;","block_context":{"text":"Back Issues","link":"https:\/\/www.foto8.com\/live\/category\/in-print\/back-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":321,"url":"https:\/\/www.foto8.com\/live\/v4n4\/","url_meta":{"origin":1694,"position":5},"title":"Vol.4 No.4","author":"Jon","date":"15 Mar 2006","format":false,"excerpt":"","rel":"","context":"In &quot;Back Issues&quot;","block_context":{"text":"Back Issues","link":"https:\/\/www.foto8.com\/live\/category\/in-print\/back-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/1694"}],"collection":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/comments?post=1694"}],"version-history":[{"count":0,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/1694\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media\/1693"}],"wp:attachment":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media?parent=1694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/categories?post=1694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/tags?post=1694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}