{"id":1696,"date":"2009-06-23T11:11:44","date_gmt":"2009-06-23T11:11:44","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=1696"},"modified":"2009-06-23T11:11:44","modified_gmt":"2009-06-23T11:11:44","slug":"looking-in-robert-franks-the-americans","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/looking-in-robert-franks-the-americans\/","title":{"rendered":"Looking in: Robert Frank&#8217;s The Americans"},"content":{"rendered":"<\/div>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>In October 1955 Robert Frank left New York City in a Ford Business Coupe and headed south to Miami Beach, before cutting west to St Petersburg, and on through Georgia, Alabama and Mississippi. The journey was the first major road trip of the project that resulted 10,000 miles later in The Americans. Frank would drive to Memphis, New Orleans, Las Vegas and up the coast to San Francisco; before returning to the East Coast through Salt Lake City, Chicago and Indianapolis.<br \/> But only one month into the journey, he was arrested and jailed by Arkansas police. Frank\u2019s crime, it seems, was foreignness. They queried the foreign names he had given his children, Pablo and Andrea; they were suspicious of his foreign-sounding contact, Alexey Brodovitch. They threatened violence and asked if he was a Communist, before fingerprinting him and insisting that he sign his name under the heading \u201cCriminal\u201d. When he had first arrived in New York eight years earlier he had written to his parents in Zurich, \u201cNever before have I experienced so much in one week as here. I feel as if I\u2019m in a film.\u201d In that same letter home he had added: \u201cThere is only one thing you should not do, criticise anything.\u201d<\/p>\n<p> The episode is detailed in Sarah Greenough\u2019s monumental Looking In: Robert Frank\u2019s \u201cThe Americans\u201d (Expanded Edition) \u2013 an exhaustive publication marking the 50th anniversary of one of photography\u2019s most famous and controversial books. Greenough\u2019s volume draws on vintage contact sheets, work prints, letters, manuscripts and interviews to compile a rich and meticulous examination of Frank\u2019s project. Her own chapters outline both the photographer\u2019s early career and the book\u2019s anointed afterlife, while contributor essays cover his relationships with supporter Edward Steichen, friend and mentor Walker Evans, publisher Robert Delpire, and collaborator Jack Kerouac. In 500-plus pages variant crops are comprehensively illustrated; modified sequences are thoroughly explained; itineraries are painstakingly mapped. The whole has been made possible, we are told, by the support and co-operation of (the not-always-co-operative) Frank himself \u2013 the irony being that his original hope, he wrote, was to produce a work, \u201cthe visual impact of which should be such as will nullify explanation\u201d.<\/p>\n<p> Judging by the amount of comment and interpretation The Americans has since generated, it could be argued that the book has emphatically failed to do any such thing. Initially many of the work\u2019s critics reacted with vitriol, branding it \u201cA Degradation of a Nation!\u201d, \u201ca slashing and bitter attack on some US institutions\u201d and a \u201cwart-covered picture of America\u201d. The photographer was no better: \u201ca joyless man who hates the country of his adoption\u201d. But the emergence of an enduring, now orthodox, re-assessment was evident even by 1967 when one curator wrote to the publishers requesting they reprint the title, describing it as \u201cthe most significant book in the history of photography\u201d.<\/p>\n<p> As well as providing an authoritative account of many such developments, Looking In collates a full set of chinagraphed contact sheets to accompany the frames in The Americans. Some caution is needed as Frank \u2013 cultivating spontaneity, immediacy and intuition \u2013 would snip away unwanted negatives on the hoof. Nevertheless, what remains constitutes an unparalleled insight into his working methods and editorial decisions. Some sleights of hand are laid bare: the shot of a New York cowboy seemingly lost in concentration now looks complicit, not stolen; and the repeated compositional effacements and decapitations appear even more pronounced and calculated. In the main though, the impression is of an offhand restlessness, haste and impatience. That said, there are at least 14 frames of the famous elevator girl from Miami \u2013 the one who caught Kerouac\u2019s eye. Not even Frank could move far in a lift.<br \/> <strong>Guy Lane<br \/><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<div><a href=\"index.php?option=com_content&amp;task=view&amp;id=935&amp;Itemid=77\" target=\"_self\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2009\/06\/frank_li_hcover_c.jpg\" alt=\"frank_li_hcover_c.jpg\" title=\"frank_li_hcover_c.jpg\" style=\"width: 150px; height: 185px; float: left;\" class=\"review_photo\" height=\"185\" width=\"150\" \/><\/a> Sarah Greenough, Robert Frank<br \/> Published by Steidl<br \/> www.steidlville.com<br \/> \u00a328<br \/> (396pp Softback) <\/p>\n","protected":false},"author":1,"featured_media":1695,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[22],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - 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On May 15, Steidl's new edition of The Americans will be released, 50 years after its original publication.\u00a0 Frank was involved in this new edition which features the same captions and Jack Kerouac's introduction, but which has been redesigned under Frank's supervision. \u00a0 \u00a0","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3022,"url":"https:\/\/www.foto8.com\/live\/robert-franks-pangnirtung\/","url_meta":{"origin":1696,"position":1},"title":"Pangnirtung","author":"Jon","date":"06 May 2011","format":false,"excerpt":"Leo Hsu reviews Pangnirtung, Robert Frank's recently published 1992 photographs from Baffin Island.","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"Pangnirtung \u00a9 Robert Frank","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/05\/pang_2_450.jpg?fit=450%2C346&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1217,"url":"https:\/\/www.foto8.com\/live\/paris-peru\/","url_meta":{"origin":1696,"position":2},"title":"Paris Peru","author":"Jon","date":"14 Nov 2008","format":false,"excerpt":"\u00a0 Paris Peru \u00a0 Robert Frank Published by Steidl www.steidlville.com \u00a325; \u00a317.50 (108pp Hardback); (48pp Hardback) \u00a0","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1630,"url":"https:\/\/www.foto8.com\/live\/an-evening-with-chris-killip-friday-5-june\/","url_meta":{"origin":1696,"position":3},"title":"An Evening with Chris Killip: Friday 5 June","author":"Jon","date":"02 Jun 2009","format":false,"excerpt":"Chris Killip's work represents an apparently effortless marriage between photographic control and conscientious observation, all the while reverberating with humanism.\u00a0 Both his photographs and his books are the result of careful consideration.\u00a0 For this reason he has been compared to Robert Frank.\u00a0 His work has gathered new interest in recent\u2026","rel":"","context":"In &quot;events \/ exhibitions&quot;","block_context":{"text":"events \/ exhibitions","link":"https:\/\/www.foto8.com\/live\/category\/news\/c72-events-exhibitions\/"},"img":{"alt_text":"Bever, Skinningrove 1981 \u00c2\u00a9 Chris Killip","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2009\/06\/killip_bever_skinningrove.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":288,"url":"https:\/\/www.foto8.com\/live\/flandrien\/","url_meta":{"origin":1696,"position":4},"title":"Flandrien","author":"Jon","date":"19 Dec 2007","format":false,"excerpt":"Stephan Vanfleteren Published by Medium f19.50 117pp Hardback","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2023,"url":"https:\/\/www.foto8.com\/live\/holiday-gift-recommendations\/","url_meta":{"origin":1696,"position":5},"title":"Holiday Gift Recommendations","author":"Jon","date":"10 Dec 2009","format":false,"excerpt":"\"It's Chilly!\"Chilly the Snowman is back with last minute holiday gift recommendations including Maritn Parr's new book Luxury. Order by Monday December 14 for UK holiday delivery.","rel":"","context":"In &quot;foto8 news&quot;","block_context":{"text":"foto8 news","link":"https:\/\/www.foto8.com\/live\/category\/news\/c80-foto8-news\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/1696"}],"collection":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/comments?post=1696"}],"version-history":[{"count":0,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/1696\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media\/1695"}],"wp:attachment":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media?parent=1696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/categories?post=1696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/tags?post=1696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}