{"id":2055,"date":"2009-04-07T16:15:56","date_gmt":"2009-04-07T15:15:56","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=2055"},"modified":"2013-07-28T10:53:16","modified_gmt":"2013-07-28T09:53:16","slug":"issue-25","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/issue-25\/","title":{"rendered":"Issue 25"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"review_photo\" alt=\"25_275\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/01\/25_275.jpg?resize=275%2C351&#038;ssl=1\" width=\"275\" height=\"351\" data-recalc-dims=\"1\" \/><strong>Moments<\/strong><br \/>New York Photo Festival 2009<br \/><strong>Spotlight<\/strong><br \/>Errata Editions<br \/>The Secret Life of War<br \/>A Shimmer of Possibility<br \/>Photography for Everyone<br \/><strong>Interview<\/strong><br \/>Geert van Kesteren<br \/><strong>New Features<\/strong><br \/><em>Another Lost Child<\/em><em> <\/em>Adam Patterson<br \/><em>Lodz Now<\/em><em> <\/em>C\u00e9dric Gerbehaye<br \/><em>\u2018Ali \u2018Ali \u2018Ali<\/em><em> <\/em>Peyman Hooshmandzadeh<br \/><em>Out of Season<\/em><em> <\/em>Reinaldo Loureiro<br \/><em>Stranded Objects<\/em><em> <\/em>Muge<br \/><em>Erasure<\/em><em> <\/em>Chloe Sells<br \/><em>Flammarion<\/em><em> <\/em>Thomas Glendenning Hamilton and Susan MacWilliam<br \/><em>North East Side<\/em> Amber\/Side Archive<br \/><em>HOST Portfolio<\/em><em> <\/em>Aaron Schuman + more<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/e.issuu.com\/embed.html#3481869\/4206055\" height=\"704\" width=\"860\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><br \/><strong><br \/><\/strong><br \/><strong>Editor&#8217;s Letter<\/strong><br \/>Chances are as you sit down to read this new issue of 8 that you\u2019re at home, or maybe on your way to or from there. Even the least nationalistic among us are intrinsically attached to an idea of \u201chome\u201d \u2013 whether a house, a city or a country \u2013 a feeling that only becomes active when that safe place becomes threatened.<\/p>\n<p>Among the most compelling news stories over this past year has been the mushrooming of stabbings among London\u2019s teenage population. Subsequent talk of \u201cgangs\u201d reveals a lack of understanding of a strata of society that can only exacerbate the problem. Adam Patterson has not just photographed young men like Vipoh but has forged a unique collaboration, inviting him to write across the photographs, making them his. Vipoh\u2019s loyalty to his home turf of Brixton\u2019s Loughborough Estate is a contributing factor to the stab wounds that puncture his arms.<\/p>\n<p>The contested soil of Chongqing in China, claimed by the insatiable Three Gorges Dam, is the subject for Muge, a photographer from the area. Also documenting home soil, Tehran-based photographer Peyman Hooshmandzadeh focuses on the kitsch iconography in Iranian homes. Reinaldo Loureiro also returned home, to witness the more literal soil erosion of southern Spain, a landscape dominated by greenhouses.<\/p>\n<p>We preview Observer foreign editor\u2019s Peter Beaumont\u2019s first book The Secret Life of War, in which he counts the cost of his time on foreign soil. Ghaith Abdul-Ahad, an Iraqi and Guardian writer, writes from Afghanistan, where his access to Taliban fighters is unprecedented.<\/p>\n<p>For the first time, we publish two poems by Alexander Theroux, who responded to the theme of soil in a surprisingly sensuous way; photography as fiction with David Gray\u2019s Vampire; and a special insert featuring archive photographs from s\u00e9ances in Canada.<\/p>\n<p>Over the coming season, we are looking forward to the New York Photo Festival, in which Foto8 is curating a show and to our own Summer Show extravaganza at HOST. In the meantime, keep up to date with us on our website.<\/p>\n","protected":false},"excerpt":{"rendered":"<div><\/div>\n<div style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2007\/12\/25_cover_low.jpg\" style=\"border: 1px solid black; width: 115px; height: 141px;\" alt=\"25_cover_low\" title=\"Issue 23\" height=\"147\" width=\"115\" \/><\/div>\n<div>\n","protected":false},"author":1,"featured_media":176,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[26],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - 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