{"id":2331,"date":"2010-04-07T19:45:21","date_gmt":"2010-04-07T19:45:21","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=2331"},"modified":"2010-04-07T19:45:21","modified_gmt":"2010-04-07T19:45:21","slug":"ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/","title":{"rendered":"Documentary photography on the op-ed page: Alec Soth’s Ash Wednesday"},"content":{"rendered":"
\"from
from “Ash Wednesday, New Orleans” \u00a9 Alec Soth. “I decided to spend Fat Tuesday alone in my hotel room watching tv.”<\/span><\/p>\n

Last week the New York Times posted a multimedia piece by Alec Soth, \u201cAsh Wednesday, New Orleans\u201d<\/a> on its website. What\u2019s notable is that Soth\u2019s piece appeared on \u201cOpinionator\u201d, the Times\u2019 online Op-Ed section.  This is the first time I\u2019ve seen a visual piece by a photographer in this section (or in the opinion or comment section of any newspaper- but if anyone knows of other instances, please let me know).  \u201cAsh Wednesday, New Orleans\u201d is the first in Soth\u2019s \u201cContinental Picture Show\u201d, a series of posts about his travels around America.<\/p>\n

It\u2019s not surprising that Soth should appear on the NYT site; he is an accomplished and celebrated documentary photographer and a member of Magnum. Soth is probably best known for his large format documentary projects Sleeping By the Mississippi and Niagara, the latter of which we\u2019ve had the pleasure of exhibiting at Host Gallery.  As with the best documentary photographers- whether their work identifies primarily as journalism or as documentary art- Soth is sensitive to nuance, gesture, and moment, and he is able to put himself in the kinds of situations that allow him to exercise that sensitivity. The result is what makes so much documentary work compelling: something ineffable is created from the photographer\u2019s selective regard of the particulars.<\/p>\n

\"from
from “Ash Wednesday, New Orleans” \u00a9 Alec Soth. “I left the room for the midnight police sweep of Bourbon Street- the official end of Mardi Gras- then photographed the aftermath.”<\/span><\/p>\n

While \u201cAsh Wednesday, New Orleans\u201d is consistent with Soth’s sensibilities in his earlier projects, the pictures appear to be digital and are more like snapshots than his earlier work.  And it differs from most slide shows that you will see on newspaper websites.  The 3:25 piece is punctuated by intertitles, beginning with  \u201cI went to New Orleans for Mardi Gras but couldn\u2019t handle all of the communal joy.  I decided to spend Fat Tuesday alone in my hotel room watching TV.\u201d  Five sections follow: some pictures in the hotel room and stills from TV coverage of the celebrations, with TV sound; photographs of the aftermath of the celebration as Fat Tuesday becomes Ash Wednesday (police, dazed and unconscious revelers, garbage); a photograph of a woman named Adelyn that Soth made ten years previously, followed by a compositionally identical video clip shot this year; and a slideshow of churchgoers, their foreheads marked with ash.  The final section is a sequence about Soth stopping at a casino on the way back to his hotel and seeing a woman who he had previously photographed at the church.  She agrees to have her picture made in Soth\u2019s hotel room and we see video of her positioning herself on the bed as Soth\u2019s flash fires.  The title displays \u201cAs I was photographing her, I realized that R. was a man.\u201d<\/p>\n

\"from
from “Ash Wednesday, New Orleans” \u00a9 Alec Soth. “Adelyn agreed to meet me again outside of St. Louis Cathedral.”<\/span><\/p>\n

In some respects it feels entirely appropriate to have this kind of video diary with its highlighted subjectivity in the opinion section.  On his website Little Brown Mushroom<\/a>, Soth cites the New Journalism of the 60’s move away from staid, detached, boring nonfiction writing. \u201cAsh Wednesday\u201d expands on the position that Soth has taken in his books, and his sensibility translates well from photography\/ photo books to multimedia\/ video.  At a moment when news organizations are rethinking their role and their mandate, it\u2019s nice to see a piece published by a news organization that grapples directly with issues of authorship and the nature of the kind of truth that photography might impart.<\/p>\n

However, while \u201cAsh Wednesday\u201d may be satisfying for someone who might know a little bit about where Alec Soth is coming from, it appears to have been disorienting for much of the NYT audience. Soth notes on Little Brown Mushroom that \u201cThe whole point of the project was to see what happens with an audience outside of the art and photo bubbles.\u201d While some among the commenters did \u201cget it\u201d, most felt that he had missed the story of Mardi Gras, that his representation of New Orleans was shallow, and many could not understand why the Times would commission or run a piece by a photographer who wasn\u2019t even going to leave his hotel room.  Not \u201cI get it but I don\u2019t agree\/ like it\u201d, but simply not getting it at all.  Inside those bubbles we might say that his story was a valid story of Ash Wednesday, not Mardi Gras; that his presentation did not pretend to more depth or authority than he was willing to claim; and that by inserting himself in the story he allows the viewer to make judgments about the piece with awareness of his position (although just because the narrator is visible does not always mean the story is true).  <\/p>\n

\"from
from “Ash Wednesday, New Orleans” \u00a9 Alec Soth. “She agreed to come to my hotel room to be photographed.”<\/span><\/p>\n

What does it mean for this piece to run in the New York Times opinion section where, for an editorial to have any value, the audience must at least “get it” even if they don\u2019t agree?  Even in the context of New Journalism, this piece\u2019s subjectivity far outweighs the matter.  It\u2019s provocative and appears to be honest but it\u2019s not very rigorous and a lot of people are not<\/em> going to get it.  This is (unfortunately) fine in the art world but maybe not so good for the opinion page where viewpoints and arguments surrounding issues that readers ostensibly have some (perhaps broad or distant) stake in are discussed and debated.  The most powerful and \u201cuseful\u201d  bit to come out of this may be the sustained objection by commenters that Soth had possibly outed R. as transgendered and also had done her a disservice or injustice by referring to her as a man when she identified as a woman.  (Soth noted in reply to comments that she had consented to him revealing that she was transgendered).<\/p>\n

It’s hard for photographers to find the opportunity to speak in their own voice in a news context.  It\u2019s not often anymore that a picture story is run in a major publication as an argument articulated by the photographer.  The editorial position or opinion of the photojournalist is frequently stripped from the images as they are repurposed as illustrations for text.  The public has been trained by the conceits of journalism to understand photography as evidence, illustration, emotion and the photographer as the collector of these things.  Photojournalists are challenged for editorializing through the creative use of photoshop.  (And they should be, but not because using certain photoshop tools is categorically wrong).   In order that we continue to discuss what we want pictures to do and be, the desire by photographers to speak in their own voice, for their own reasons, in aid of their own causes or questions, should not be supressed. The \u201cArt World\u201d not withstanding, art as communication has always been a part of documentary photography.<\/p>\n

We\u2019re in a moment in which photojournalism and documentary photography are being reinvented.  Relationships to institutions, practices, and the expectations of the public are all at stake.  It\u2019s laudable that The New York Times ran a multimedia piece in its opinion section and that it went with someone who is so able at challenging what it means for photography to be truthful and objective, and I look forward to the rest of this series.<\/p>\n

However, this is also an opportunity to run photographers\u2019 pieces as editorials in what might be considered a more \u201ctraditional\u201d photojournalistic mode.  Bravo for Alec Soth and the New York Times for pushing the envelope, but, while \u201cAsh Wednesday, New Orleans\u201d is an interesting statement, it\u2019s not one which many outside of the \u201cphoto and art bubble\u201d may have much use for, at least not yet.  We need more from the editors; it would be marvelous to see more photojournalism on the opinion pages as authored voices.  This would bring about the visually literate readership that will recognize and perhaps appreciate what Soth has here offered.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Last week the New York Times ran Alec Soth’s multimedia piece “Ash Wednesday, New Orleans” on its online opinion page.  But will readers “get it”?<\/div>\n","protected":false},"author":1,"featured_media":2327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[19],"tags":[518,1167,53,254,1164,1165,1166],"jetpack_publicize_connections":[],"yoast_head":"\nDocumentary photography on the op-ed page: Alec Soth's Ash Wednesday - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Documentary photography on the op-ed page: Alec Soth's Ash Wednesday - FOTO8\" \/>\n<meta property=\"og:description\" content=\"Last week the New York Times ran Alec Soth's multimedia piece "Ash Wednesday, New Orleans" on its online opinion page.  But will readers "get it"?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/\" \/>\n<meta property=\"og:site_name\" content=\"FOTO8\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Foto8\/\" \/>\n<meta property=\"article:published_time\" content=\"2010-04-07T19:45:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/04\/soth_ash_1.jpg?fit=400%2C226&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"226\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jon\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jon\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/\"},\"author\":{\"name\":\"Jon\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137\"},\"headline\":\"Documentary photography on the op-ed page: Alec Soth’s Ash Wednesday\",\"datePublished\":\"2010-04-07T19:45:21+00:00\",\"dateModified\":\"2010-04-07T19:45:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/\"},\"wordCount\":1432,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\"},\"keywords\":[\"Alec Soth\",\"Commentary\",\"documentary photography.\",\"Leo Hsu\",\"New York Times\",\"Op-ed\",\"Opinion\"],\"articleSection\":[\"Blogs\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/\",\"url\":\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/\",\"name\":\"Documentary photography on the op-ed page: Alec Soth's Ash Wednesday - FOTO8\",\"isPartOf\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#website\"},\"datePublished\":\"2010-04-07T19:45:21+00:00\",\"dateModified\":\"2010-04-07T19:45:21+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.foto8.com\/live\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Documentary photography on the op-ed page: Alec Soth’s Ash Wednesday\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.foto8.com\/live\/#website\",\"url\":\"https:\/\/www.foto8.com\/live\/\",\"name\":\"FOTO8\",\"description\":\"The home of photojournalism.\",\"publisher\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.foto8.com\/live\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\",\"name\":\"FOTO8\",\"url\":\"https:\/\/www.foto8.com\/live\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1\",\"width\":124,\"height\":51,\"caption\":\"FOTO8\"},\"image\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/Foto8\/\",\"https:\/\/twitter.com\/foto8\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137\",\"name\":\"Jon\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g\",\"caption\":\"Jon\"},\"url\":\"https:\/\/www.foto8.com\/live\/author\/wpadmin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Documentary photography on the op-ed page: Alec Soth's Ash Wednesday - FOTO8","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/","og_locale":"en_US","og_type":"article","og_title":"Documentary photography on the op-ed page: Alec Soth's Ash Wednesday - FOTO8","og_description":"Last week the New York Times ran Alec Soth's multimedia piece \"Ash Wednesday, New Orleans\" on its online opinion page.  But will readers \"get it\"?","og_url":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/","og_site_name":"FOTO8","article_publisher":"https:\/\/www.facebook.com\/Foto8\/","article_published_time":"2010-04-07T19:45:21+00:00","og_image":[{"width":400,"height":226,"url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/04\/soth_ash_1.jpg?fit=400%2C226&ssl=1","type":"image\/jpeg"}],"author":"Jon","twitter_misc":{"Written by":"Jon","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/#article","isPartOf":{"@id":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/"},"author":{"name":"Jon","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137"},"headline":"Documentary photography on the op-ed page: Alec Soth’s Ash Wednesday","datePublished":"2010-04-07T19:45:21+00:00","dateModified":"2010-04-07T19:45:21+00:00","mainEntityOfPage":{"@id":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/"},"wordCount":1432,"commentCount":0,"publisher":{"@id":"https:\/\/www.foto8.com\/live\/#organization"},"keywords":["Alec Soth","Commentary","documentary photography.","Leo Hsu","New York Times","Op-ed","Opinion"],"articleSection":["Blogs"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/","url":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/","name":"Documentary photography on the op-ed page: Alec Soth's Ash Wednesday - FOTO8","isPartOf":{"@id":"https:\/\/www.foto8.com\/live\/#website"},"datePublished":"2010-04-07T19:45:21+00:00","dateModified":"2010-04-07T19:45:21+00:00","breadcrumb":{"@id":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.foto8.com\/live\/ash-wednesday-new-orleans-by-alec-soth-documentary-photography-on-the-op-ed-page\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.foto8.com\/live\/"},{"@type":"ListItem","position":2,"name":"Documentary photography on the op-ed page: Alec Soth’s Ash Wednesday"}]},{"@type":"WebSite","@id":"https:\/\/www.foto8.com\/live\/#website","url":"https:\/\/www.foto8.com\/live\/","name":"FOTO8","description":"The home of photojournalism.","publisher":{"@id":"https:\/\/www.foto8.com\/live\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.foto8.com\/live\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.foto8.com\/live\/#organization","name":"FOTO8","url":"https:\/\/www.foto8.com\/live\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1","width":124,"height":51,"caption":"FOTO8"},"image":{"@id":"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Foto8\/","https:\/\/twitter.com\/foto8"]},{"@type":"Person","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137","name":"Jon","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g","caption":"Jon"},"url":"https:\/\/www.foto8.com\/live\/author\/wpadmin\/"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/04\/soth_ash_1.jpg?fit=400%2C226&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ejRI-BB","jetpack-related-posts":[{"id":1264,"url":"https:\/\/www.foto8.com\/live\/the-last-days-of-w-by-alec-soth\/","url_meta":{"origin":2331,"position":0},"title":"‘The Last Days of W’ by Alec Soth","author":"Jon","date":"05 Dec 2008","format":false,"excerpt":"When President George W Bush was asked how history might judge his term in office he reportedly replied, \u2018History. We don\u2019t know. We\u2019ll all be dead.\u2019 Rarely has he been so emphatically correct. But in the meantime (before we all die, that is) a verdict of sorts is delivered by\u2026","rel":"","context":"In "Blogs"","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"\u00a9 Alec Soth","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/12\/sothsalt.jpg?fit=470%2C376&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2128,"url":"https:\/\/www.foto8.com\/live\/alec-soth-niagara\/","url_meta":{"origin":2331,"position":1},"title":"Alec Soth ~ Niagara","author":"Jon","date":"14 May 2007","format":false,"excerpt":"HOST Gallery 14 May \u2013 18 June 2007 In the follow-up to his critically-praised monograph Sleeping by the Mississippi, Alec Soth turns his eye to another iconic body of water, Niagara Falls. \u00a0","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/www.foto8.com\/live\/category\/on-display\/host-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2007\/05\/soth280.jpg?fit=280%2C224&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":377,"url":"https:\/\/www.foto8.com\/live\/niagara\/","url_meta":{"origin":2331,"position":2},"title":"Niagara","author":"Jon","date":"19 Dec 2007","format":false,"excerpt":"Alec Soth Published by Steidl \u00a335 144pp Hardback \u00a0","rel":"","context":"In "Reviews"","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":36,"url":"https:\/\/www.foto8.com\/live\/lee-miller-and-pictures-of-girls-jumping-on-beds\/","url_meta":{"origin":2331,"position":3},"title":"Lee Miller and pictures of girls jumping on beds","author":"Jon","date":"23 Oct 2007","format":false,"excerpt":"The V&A is showing a retrospective of Lee Miller, \"The Art of Lee Miller\" curated by Mark Haworth Booth.","rel":"","context":"In "Blogs"","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"http:\/\/www.leemiller.co.uk","src":"https:\/\/i0.wp.com\/www.leemiller.co.uk\/images\/leelarge.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1906,"url":"https:\/\/www.foto8.com\/live\/georgia-on-my-mind-in-conversation-with-chris-boot\/","url_meta":{"origin":2331,"position":4},"title":"Georgia on My Mind: In Conversation with Chris Boot","author":"Jon","date":"24 Oct 2009","format":false,"excerpt":"Book publisher Chris Boot is at HOST gallery Wednesday 28 October, in conversation with Max Houghton, to discuss the release of his new book, Georgian Spring.","rel":"","context":"In "events \/ exhibitions"","block_context":{"text":"events \/ exhibitions","link":"https:\/\/www.foto8.com\/live\/category\/news\/c72-events-exhibitions\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2672,"url":"https:\/\/www.foto8.com\/live\/parr\/","url_meta":{"origin":2331,"position":5},"title":"A Tour of the Brighton Biennial with Martin Parr","author":"Jon","date":"07 Oct 2010","format":false,"excerpt":"Guy Lane speaks to Martin Parr about his curation of this year's Brighton Photo Biennial.","rel":"","context":"In "Blogs"","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"parr_jet","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/10\/parr_jet.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/2331"}],"collection":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/comments?post=2331"}],"version-history":[{"count":0,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/2331\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media\/2327"}],"wp:attachment":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media?parent=2331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/categories?post=2331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/tags?post=2331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}