{"id":2365,"date":"2009-10-26T10:34:17","date_gmt":"2009-10-26T09:34:17","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=2365"},"modified":"2013-07-28T10:53:30","modified_gmt":"2013-07-28T09:53:30","slug":"issue-26","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/issue-26\/","title":{"rendered":"Issue 26: the Control issue"},"content":{"rendered":"<div><img decoding=\"async\" loading=\"lazy\" class=\"review_photo\" title=\"8 magazine issue 26\" alt=\"8 Magazine Issue 26\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/04\/8Magazine_Cover26.jpg?resize=140%2C182&#038;ssl=1\" width=\"140\" height=\"182\" data-recalc-dims=\"1\" \/><strong>Features<\/strong><em><br \/><\/em>Guillaume Herbaut, Tim Hetherington, Dean Sewell, Erica Shires<br \/><strong><\/strong>Michael Grieve, Kosuke Okahara, Edmund Clark, Kurt Tong,Karen Mirzoyan<br \/><strong>Articles:<\/strong> <br \/>Peter Beaumont, John O&#8217;Farrell, Michael David Murphy<em><br \/><\/em><strong>Interviews<\/strong><strong><br \/><\/strong>Jules Spinatsch, Agnes Dherbeys, Caroll Taveras, Corey Doctorow + more<\/p>\n<div><iframe loading=\"lazy\" src=\"\/\/e.issuu.com\/embed.html#3481869\/4206033\" height=\"704\" width=\"860\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/div>\n<p><strong><strong><br \/><\/strong><\/strong><br \/><strong><strong><br \/>Editors&#8217; Letter<\/strong><\/strong><\/p>\n<\/div>\n<div>\u201cHe who controls the present, controls the past. He who controls the past, controls the future.\u201d So wrote George Orwell who knew a thing or two about such matters.<\/p>\n<p>Photography\u2019s intriguing relationship to power has its roots in the use of the medium as a means to classify and measure in the service of ethnographic documentation. In enacting our own means of control \u2013 editing this latest issue of 8 \u2013 we have unearthed a fascinating 19th century publication The People of India, which through its depiction of the various castes and tribes of that region, has ensured its place among attempts to harness photography as an ethnographic project.<\/p>\n<p>Different types of technology have been used to infiltrate power relations, as seen in the recent Iranian elections. Iranians found in Twitter a mechanism to break through the stringent media controls imposed by the Ahmadinejad regime, as documented by Guillaume Herbaut.<\/p>\n<p>If the ways in which government seeks to control its citizens is any measure of democracy, it is interesting to observe that in a country where 17 journalists have been murdered since 2000, 95 per cent of Russians feel they have little or no control over what goes on in their country. With the publication of a new book on Georgia by Magnum photographers, the country\u2019s media savvy president has found an effective and artistic way to control his nation\u2019s image.<\/p>\n<p>On a more personal level, the human mind is also extraordinarily creative in finding control mechanisms, often carried out on the docile body, as we can see from Erica Shires\u2019 wounding portrayal of a skeletally-thin young woman, to poet Rosy Carrick\u2019s invocation of a woman enmeshed in a dangerously controlling relationship or Kosuke Okahara\u2019s exploration of the culture of self-harm in Japan.<\/p>\n<p>Of course photography\u2019s contemporary relationship to power is in its use as a method of surveillance. The UK is the most watched-over nation in Europe, its four million cameras invading our privacy every time we walk down the street. What does this say about our relationship to democracy?<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<div><img decoding=\"async\" loading=\"lazy\" alt=\"Issue 26\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2010\/04\/8Magazine_Cover26.jpg\" height=\"141\" width=\"115\" \/><\/p>\n<\/div>\n","protected":false},"author":1,"featured_media":2364,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[26],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Issue 26: the Control issue - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/issue-26\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Issue 26: the Control issue - FOTO8\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.foto8.com\/live\/issue-26\/\" \/>\n<meta property=\"og:site_name\" content=\"FOTO8\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Foto8\/\" \/>\n<meta property=\"article:published_time\" content=\"2009-10-26T09:34:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-07-28T09:53:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/04\/8Magazine_Cover26.jpg?fit=275%2C352&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"275\" \/>\n\t<meta property=\"og:image:height\" content=\"352\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jon\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jon\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.foto8.com\/live\/issue-26\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.foto8.com\/live\/issue-26\/\"},\"author\":{\"name\":\"Jon\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137\"},\"headline\":\"Issue 26: the Control issue\",\"datePublished\":\"2009-10-26T09:34:17+00:00\",\"dateModified\":\"2013-07-28T09:53:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.foto8.com\/live\/issue-26\/\"},\"wordCount\":385,\"publisher\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\"},\"articleSection\":[\"Back Issues\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.foto8.com\/live\/issue-26\/\",\"url\":\"https:\/\/www.foto8.com\/live\/issue-26\/\",\"name\":\"Issue 26: the Control issue - FOTO8\",\"isPartOf\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#website\"},\"datePublished\":\"2009-10-26T09:34:17+00:00\",\"dateModified\":\"2013-07-28T09:53:30+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.foto8.com\/live\/issue-26\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.foto8.com\/live\/issue-26\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.foto8.com\/live\/issue-26\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.foto8.com\/live\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Issue 26: the Control issue\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.foto8.com\/live\/#website\",\"url\":\"https:\/\/www.foto8.com\/live\/\",\"name\":\"FOTO8\",\"description\":\"The home of photojournalism.\",\"publisher\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.foto8.com\/live\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\",\"name\":\"FOTO8\",\"url\":\"https:\/\/www.foto8.com\/live\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1\",\"width\":124,\"height\":51,\"caption\":\"FOTO8\"},\"image\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/Foto8\/\",\"https:\/\/twitter.com\/foto8\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137\",\"name\":\"Jon\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g\",\"caption\":\"Jon\"},\"url\":\"https:\/\/www.foto8.com\/live\/author\/wpadmin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Issue 26: the Control issue - FOTO8","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.foto8.com\/live\/issue-26\/","og_locale":"en_US","og_type":"article","og_title":"Issue 26: the Control issue - FOTO8","og_url":"https:\/\/www.foto8.com\/live\/issue-26\/","og_site_name":"FOTO8","article_publisher":"https:\/\/www.facebook.com\/Foto8\/","article_published_time":"2009-10-26T09:34:17+00:00","article_modified_time":"2013-07-28T09:53:30+00:00","og_image":[{"width":275,"height":352,"url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/04\/8Magazine_Cover26.jpg?fit=275%2C352&ssl=1","type":"image\/jpeg"}],"author":"Jon","twitter_misc":{"Written by":"Jon","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.foto8.com\/live\/issue-26\/#article","isPartOf":{"@id":"https:\/\/www.foto8.com\/live\/issue-26\/"},"author":{"name":"Jon","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137"},"headline":"Issue 26: the Control issue","datePublished":"2009-10-26T09:34:17+00:00","dateModified":"2013-07-28T09:53:30+00:00","mainEntityOfPage":{"@id":"https:\/\/www.foto8.com\/live\/issue-26\/"},"wordCount":385,"publisher":{"@id":"https:\/\/www.foto8.com\/live\/#organization"},"articleSection":["Back Issues"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.foto8.com\/live\/issue-26\/","url":"https:\/\/www.foto8.com\/live\/issue-26\/","name":"Issue 26: the Control issue - FOTO8","isPartOf":{"@id":"https:\/\/www.foto8.com\/live\/#website"},"datePublished":"2009-10-26T09:34:17+00:00","dateModified":"2013-07-28T09:53:30+00:00","breadcrumb":{"@id":"https:\/\/www.foto8.com\/live\/issue-26\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.foto8.com\/live\/issue-26\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.foto8.com\/live\/issue-26\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.foto8.com\/live\/"},{"@type":"ListItem","position":2,"name":"Issue 26: the Control issue"}]},{"@type":"WebSite","@id":"https:\/\/www.foto8.com\/live\/#website","url":"https:\/\/www.foto8.com\/live\/","name":"FOTO8","description":"The home of photojournalism.","publisher":{"@id":"https:\/\/www.foto8.com\/live\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.foto8.com\/live\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.foto8.com\/live\/#organization","name":"FOTO8","url":"https:\/\/www.foto8.com\/live\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1","width":124,"height":51,"caption":"FOTO8"},"image":{"@id":"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Foto8\/","https:\/\/twitter.com\/foto8"]},{"@type":"Person","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137","name":"Jon","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g","caption":"Jon"},"url":"https:\/\/www.foto8.com\/live\/author\/wpadmin\/"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/04\/8Magazine_Cover26.jpg?fit=275%2C352&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ejRI-C9","jetpack-related-posts":[{"id":2058,"url":"https:\/\/www.foto8.com\/live\/past-perfect\/","url_meta":{"origin":2365,"position":0},"title":"Past Perfect","author":"Jon","date":"21 Jan 2010","format":false,"excerpt":"Jason Larkin visits the museums of Egypt to observe how their version of the past is preserved and packaged for visitors.","rel":"","context":"In &quot;Photo Stories&quot;","block_context":{"text":"Photo Stories","link":"https:\/\/www.foto8.com\/live\/category\/online\/c129-photo-stories\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/01\/larkin_280.jpg?fit=280%2C280&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4851,"url":"https:\/\/www.foto8.com\/live\/barrio-trieste-by-juan-arredondo\/","url_meta":{"origin":2365,"position":1},"title":"Barrio Triste by Juan Arredondo","author":"Jon","date":"26 Sep 2013","format":false,"excerpt":"For the past three years I have documented life in Medell\u00edn, the second largest city in Colombia, where I grew up. I wanted to understand how the town has been transformed from the world's most dangerous city into one that is now praised as one of Latin America\u2019s safest and\u2026","rel":"","context":"In &quot;Photo Stories&quot;","block_context":{"text":"Photo Stories","link":"https:\/\/www.foto8.com\/live\/category\/online\/c129-photo-stories\/"},"img":{"alt_text":"ARREDOJ_BT_2013_1-17","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2013\/09\/ARREDOJ_BT_2013_1-17-860x569.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2013\/09\/ARREDOJ_BT_2013_1-17-860x569.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2013\/09\/ARREDOJ_BT_2013_1-17-860x569.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2013\/09\/ARREDOJ_BT_2013_1-17-860x569.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1199,"url":"https:\/\/www.foto8.com\/live\/via-gordiani\/","url_meta":{"origin":2365,"position":2},"title":"Via Gordiani","author":"Jon","date":"19 Nov 2008","format":false,"excerpt":"Michele Palazzi visits a Roma community living in Italy amidst increasing government controls","rel":"","context":"In &quot;Photo Stories&quot;","block_context":{"text":"Photo Stories","link":"https:\/\/www.foto8.com\/live\/category\/online\/c129-photo-stories\/"},"img":{"alt_text":"009","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/11\/009.jpg?fit=470%2C313&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1865,"url":"https:\/\/www.foto8.com\/live\/anything-but-pop-inde-music-in-shanghai\/","url_meta":{"origin":2365,"position":3},"title":"Anything but Pop: Indie Music in Shanghai","author":"Jon","date":"27 Sep 2009","format":false,"excerpt":"Abram Deyo becomes immersed in the underground music scene in Shanghai.The energy I felt was something I had never experienced, it hung thick in the air \u2013 I felt I was witnessing the start of something destined for the history books\"","rel":"","context":"In &quot;Photo Stories&quot;","block_context":{"text":"Photo Stories","link":"https:\/\/www.foto8.com\/live\/category\/online\/c129-photo-stories\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11254,"url":"https:\/\/www.foto8.com\/live\/calais-port-hope-despair-salavdor-banyo\/","url_meta":{"origin":2365,"position":4},"title":"Calais, Port of Hope and Despair by Salvador Banyo","author":"Jon","date":"18 Sep 2014","format":false,"excerpt":"Landfall in the UK, The White Cliffs of Dover loom large in the minds of those in Calais waiting to make the crossing. For the last 20 years the French city of Calais, with links from the European continent to the United Kingdom through its port has become the last\u2026","rel":"","context":"In &quot;Photo Stories&quot;","block_context":{"text":"Photo Stories","link":"https:\/\/www.foto8.com\/live\/category\/online\/c129-photo-stories\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/09\/23.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/09\/23.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/09\/23.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/09\/23.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/09\/23.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":76,"url":"https:\/\/www.foto8.com\/live\/another-day-in-paradise\/","url_meta":{"origin":2365,"position":5},"title":"Another Day in Paradise","author":"Jon","date":"28 Oct 2007","format":false,"excerpt":"Edited by Carol BergmanPublished by Earthscan 256 pp, Hardcover \u00a312.99","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/2365"}],"collection":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/comments?post=2365"}],"version-history":[{"count":8,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/2365\/revisions"}],"predecessor-version":[{"id":4554,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/2365\/revisions\/4554"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media\/2364"}],"wp:attachment":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media?parent=2365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/categories?post=2365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/tags?post=2365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}