{"id":2466,"date":"2010-06-09T00:00:00","date_gmt":"2010-06-09T00:00:00","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=2466"},"modified":"2010-06-09T00:00:00","modified_gmt":"2010-06-09T00:00:00","slug":"room-103-by-jeroen-kramer","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/room-103-by-jeroen-kramer\/","title":{"rendered":"Room 103 by Jeroen Kramer"},"content":{"rendered":"
\"kramer_280\"Room 103
Jeroen Kramer
Published by Noorderlicht
www.noorderlicht.com
Eur27.50
(72pp Hardback)<\/p>\n

103 is just a number. It also happened to be the number of Jeroen Kramer\u2019s hotel room where he lived while working as a photojournalist in Baghdad during the war \u2013 and became his subsequent nickname (the hotel staff had trouble pronouncing his Dutch name). In the naming of this book Kramer perhaps also sees himself as \u201cjust a number\u201d and the work he was creating as perpetuating that notion \u2013 by being just another photojournalist in a war zone, shooting photographs of just another soldier or civilian senselessly killed. <\/p>\n

What Room 103 isn\u2019t, is a book claiming to be about war and conflict \u2013 one that neither shows nor tells you anything new. While most books created under the guise of \u201cworthy photojournalism\u201d intentionally separate the author from the work \u2013 and end up creating the opposite effect \u2013 Kramer\u2019s is the reverse in the blatant use of the personal. This book is about what it really means to be present in conflict, what it means to have to run, against all natural impulses, towards gunfire. <\/p>\n

The photographs contained in Room 103<\/em> mark Kramer\u2019s time living in Beirut, Baghdad and Damascus. The collage of written stories \u2013 accounts of personal friendships and hardships \u2013 are fragmentary and disjointed, perhaps a reflection on the reality of war. Kramer is not trying to make sense of war, an entirely impossible feat anyway, and the photographs reflect this. The series of 12 images that bookend the work, presented as a strip inside the front and back covers, tell the story of a convoy attacked en route to Mosul in which four soldiers were killed. Graphic and tense, these are the most predictable images in the book \u2013 or rather outside it \u2013 while those within are the more lyrical and quietly suggestive. The images here are secondary to the text yet not illustrative. After reading the story of Khaled, a close acquaintance from Damascus, you find yourself searching for a photograph of him \u2013 along with the others mentioned in the stories \u2013 but there aren\u2019t any. And, perhaps they don\u2019t exist \u2013 the images or the people in Kramer\u2019s stories. <\/p>\n

\"kramer_2\"<\/p>\n

The ones that do feature are those of daily life \u2013 weddings, children playing, street scenes at night \u2013 with images of horror thrown in \u2013 mass graves, bloodied faces and dead bodies. Although at first glance appearing to be devoid of context, a list of captions does appear at the back, telling us simply, where, when and what. There is an overriding sense that Kramer spent time with the people pictured and actually got to know them before taking their photograph. In one story, \u201cAmmar is Sick\u201d he explains how, during drinking sessions with his group of Iraqi friends \u2013 something, now that the country is \u201cdemocratic\u201d and \u201cfree\u201d, they have to go to Jordan to indulge in \u2013 there is a predictable chain of events: first singing and merriment and then the inevitable sobbing: for family, for country, for the present situation. The scene becomes one that no photograph could communicate.<\/p>\n

\"kramer_3\"<\/p>\n

Kramer\u2019s real intentions with this book become apparent at the end, when he writes of the email sent to his editor, talking of his self-loathing \u2013 the only reason he can come up with as to why he does what he does. Being a photojournalist is, to him, a suitable punishment for compassion fatigue and compliance in a media machine that simplifies and desensitises. He likens the experience of photographing one man, shot through his windscreen and nearly dead, as useless for him because there is no caption information to include with the image. The man becomes for him, along with countless others, a Dorian Gray, suspended in this stasis of being. <\/p>\n

\"kramer_4\"<\/p>\n

Room 103 may be overcomplicated by its fussy design and odd coloured pages. And its awkward format, perhaps trying to emulate a scrapbook, could have benefited from being either larger or smaller. But its strength as an incongruous mix of word, image and emotion emerges after being immersed in the personal stories of love and death. While Kramer may only see himself as perpetuating a cycle of exploitation, this book represents his obligation to reverse the trend, to make sure that the people with whom he is interacting and whose stories he is telling, do not become just another number.
Lauren Heinz<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Jeroen Kramer is the winner of the first DutchDoc award, for his work Room 103<\/em>. Lauren Heinz was one of the judges of this year’s award and reviewed his book in the current issue of 8 Magazine.<\/div>\n","protected":false},"author":1,"featured_media":2462,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[22],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"\nRoom 103 by Jeroen Kramer - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/room-103-by-jeroen-kramer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Room 103 by Jeroen Kramer - FOTO8\" \/>\n<meta property=\"og:description\" content=\"Jeroen Kramer is the winner of the first DutchDoc award, for his work Room 103. 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