{"id":2613,"date":"2010-09-09T00:00:00","date_gmt":"2010-09-09T00:00:00","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=2613"},"modified":"2010-09-09T00:00:00","modified_gmt":"2010-09-09T00:00:00","slug":"destroy-this-memory-robert-misrach","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/destroy-this-memory-robert-misrach\/","title":{"rendered":"Destroy this Memory"},"content":{"rendered":"<\/div>\n
\"misrachdestroy_280\"At a New Orleans mock funeral held to mark the fifth anniversary of Hurricane Katrina, one resident reportedly commented, “Thank God you are gone but unfortunately you will never be forgotten.” A similar sense of paradox \u2013 between remembrance and the desire to omit \u2013 is inscribed in Richard Misrach\u2019s latest publication, Destroy this Memory<\/em>. The book is a collection of photographs depicting graffiti penned in the aftermath of the United States\u2019 most expensive natural disaster, in which over 1800 people died and more than 80 billion dollars\u2019 worth of damage was caused to property. “It seems people have already forgotten about Hurricane Katrina, and those who endured it,” wrote Misrach recently; hence this timely aide-memoire<\/em>.<\/p>\n

\"mis5\"
Untitled (New Orleans and the Gulf Coast) 2005 \u00a9 Richard Misrach \/ Aperture Foundation<\/span><\/p>\n

“HELP! HELP!<\/em>“ <\/em>is sprayed on the fa\u00e7ade of two semi-detached properties; a boarded-up window is the only other indicator of something amiss. The writing is modest-sized and appears underneath the ground floor windows \u2013 to be read by passers-by in the street. Things were to get much worse. Elsewhere, for example, “HELP<\/em>” appears daubed in huge white letters on the collapsing roof of a bungalow. Pilots, not pedestrians, were its intended audience. “FUCK<\/em>” appears on the wall of one trashed home, and again, higher up \u2013 under the eaves now, as the waters rise \u2013 FUCK.<\/em><\/p>\n

\"mis9\"
Untitled (New Orleans and the Gulf Coast) 2005 \u00a9 Richard Misrach \/ Aperture Foundation<\/span><\/p>\n

The size, scale and sheer wantonness of much of the New Orleans graffiti enabled Misrach to compose photographs that include more contextual detail than might usually be expected. (Brassai\u2019s Graffiti<\/em>, or Lee Friedlander\u2019s Letters From the People<\/em>, for instance, are in the main \u2013 necessarily \u2013 more tightly cropped). <\/em>“I WILL SHOOT TO KILL<\/em>” reads a sign pictured amidst a landscape of felled trees, twisted branches, breezeblocks and broken piping. Only a garden umbrella \u2013 still standing \u2013 alludes to a previous domesticity. Another notice propped in a scene of devastation and detritus declares “FAMILY HOME $200K CLASSIC JAGUAR $5K INSURANCE WON\u2019T PAY – WORTHLESS<\/em>“.<\/em><\/p>\n

\"mis3\"
Untitled (New Orleans and the Gulf Coast) 2005 \u00a9 Richard Misrach \/ Aperture Foundation<\/span><\/p>\n

Though Misrach is widely known for the high production values of his large scale, large format photography, the work here (80 or so frames edited from nearly three thousand) was shot on a four megapixel camera while he toured the area immediately after the disaster. From the graffiti, a range of different voices emerge. As might be expected, despair and anger are evident, but there is resilience and fortitude too: “KEEP THE FAITH. WE WILL REBUILD<\/em>“, and “HEY KATRINA!! THAT\u2019S ALL YOU GOT?”.<\/em> Others are politicised: “I WILL REBUILD THIS HOUSE AND THEN VOTE OUT CORRUPT – LAZY POLITICIANS!!!<\/em>” or bluntly “RESIGN BUSH!!!!<\/em>“. Elsewhere there are moments of darkly comic humour: “DON\u2019T TRY. I AM SLEEPING INSIDE WITH A BIG DOG, AN UGLY WOMAN, TWO SHOTGUNS AND A CLAW HAMMER<\/em>“, and “I DIED HERE WAITING FOR AN AJUSTER<\/em>” (sic).<\/p>\n

\"mis2\"
Untitled (New Orleans and the Gulf Coast) 2005 \u00a9 Richard Misrach \/ Aperture Foundation<\/span><\/p>\n

And alongside the writings of the dispossessed are the ‘Katrina crosses\u2019 \u2013 the quasi-official, arcane inscriptions left by search and rescue teams. In each sector of a cross a notation indicates when the property was searched and if it was entered, by whom, and the number of bodies found. In the years after the hurricane the majority were painted over, demolished or simply left to weather. Pace<\/em> Misrach’s act of thoughtful and sensitive commemoration, they were, it seems, memories to be destroyed.<\/p>\n

Destroy This Memory
by Richard Misrach
Published by Aperture, 2010
www.aperture.org<\/a>
Hardcover, 140pp
$65<\/div>\n","protected":false},"excerpt":{"rendered":"

Guy Lane reviews Richard Misrach’s new monograph on Hurricane Katrina, Destroy this Memory<\/em>. <\/p>\n","protected":false},"author":1,"featured_media":2608,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[19],"tags":[1400,1402,1397,1401,1399,1398,1396],"jetpack_publicize_connections":[],"yoast_head":"\nDestroy this Memory - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/destroy-this-memory-robert-misrach\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Destroy this Memory - 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