{"id":3167,"date":"2011-07-21T10:43:58","date_gmt":"2011-07-21T10:43:58","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=3167"},"modified":"2011-07-21T10:43:58","modified_gmt":"2011-07-21T10:43:58","slug":"eyewitness-hungarian-photography-in-the-20th-century","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/eyewitness-hungarian-photography-in-the-20th-century\/","title":{"rendered":"Eyewitness: Hungarian Photography in the 20th Century"},"content":{"rendered":"<div>If I were miraculously granted access to a time machine, my first stop would be Budapest in the 1930s. I would never even have indulged in such a flight of fancy had it not been for the new photography exhibition at the Royal Academy. From the very first picture, it\u2019s so obviously a dream ticket that it makes you wonder how it has taken so long for a show like this to appear. While many photographers in the show have had their fair share of attention, not least Robert Capa, its genius lies in the bringing together of these great artistic and journalistic talents, with context.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" alt=\"Kertesz\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/07\/Kertesz.jpg?resize=470%2C584&#038;ssl=1\" height=\"584\" width=\"470\" data-recalc-dims=\"1\" \/><br \/><span class=\"photo_copyright\">Andr\u00e9 Kert\u00e9sz<br \/>Satiric Dancer, Paris, 1926<br \/>Silver gelatin print, 252 x 203 mm<br \/>Hungarian Museum of Photography<br \/>\u00a9 Estate of Andr\u00e9 Kert\u00e9sz\/Higher Pictures<\/span><\/p>\n<p>This is the Royal Academy\u2019s first ever show dedicated to photography and it is a confident and fascinating journey through a rich and tumultuous period in Hungary\u2019s history through the eyes of Brassai, Capa, Kertesz, Moholy-Nagy and the slightly less well known &#8211; though no less interesting &#8211; Munkacsi. The five photographers have more in common than their profession and country of birth; they were all Jewish, all from a tiny quarter of Budapest, and all adopted a different name at some point in their lives.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" alt=\"Munkacsi\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/07\/Munkacsi.jpg?resize=470%2C615&#038;ssl=1\" height=\"615\" width=\"470\" data-recalc-dims=\"1\" \/><br \/><span class=\"photo_copyright\">Martin Munk\u00e1csi<br \/>Four Boys at Lake Tanganyika, c.1930<br \/>Silver gelatin print, 355 x 275 mm<br \/>Hungarian Museum of Photography<br \/>\u00a9 Estate of Martin Munk\u00e1csi, Courtesy Howard Greenberg Gallery, NYC<\/span><\/p>\n<p>It would not be overstating the case to say that these five men invented, defined and shaped photojournalism. The most eloquent description of their collective ambition was expressed by Cornell Capa: \u201cIsolated images are not the most representative of my work. What I do best are probably interrelated pictures which tell a story. My pictures are the \u2018words\u2019, which make sentences, which in turn make up the story.&#8221;<\/p>\n<p>I have not heard a better description of the practice of photojournalism. Foto8 will bring you a more indepth review of the show over the summer, but for now, go and see it for yourselves, and please post any thoughts about it here. It\u2019s exciting to see one of the most beautiful gallery spaces in London putting photography main stage and, along with major summer shows at Tate Modern and the Whitechapel, seems to reflect a growing acceptance of our favourite medium as the dominant art form of the 21st century.<\/p><\/div>\n<div>Eyewitness: Hungarian Photography in the 20th Century is on at the <a target=\"_blank\" href=\"http:\/\/www.royalacademy.org.uk\/exhibitions\/hungarian-photography\/\">Royal Academy <\/a>until 2 October 2011.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" alt=\"Escher\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/07\/Escher.jpg?resize=470%2C618&#038;ssl=1\" height=\"618\" width=\"470\" data-recalc-dims=\"1\" \/><br \/><span class=\"photo_copyright\">K\u00e1roly Escher<br \/>Bank Manager at the Baths, Budapest, 1938<br \/>Silver gelatin print, 392 x 290 mm<br \/>Hungarian Museum of Photography<\/span><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<div>Max Houghton on the Royal Academy&#8217;s new show of Hungarian photography.<\/div>\n","protected":false},"author":1,"featured_media":3164,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[19],"tags":[1400,1950,2022,46,1951,1952,1953,48,1948],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - 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