{"id":3227,"date":"2011-09-01T00:00:00","date_gmt":"2011-09-01T00:00:00","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=3227"},"modified":"2011-09-01T00:00:00","modified_gmt":"2011-09-01T00:00:00","slug":"shadowlands","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/shadowlands\/","title":{"rendered":"Shadowlands"},"content":{"rendered":"<div>In 2007, during the heat of a Tehran summer, photographer and filmmaker Zadoc Nava began a series of Tehran  streetscenes, <em>Shadowlands<\/em>,  the opening photograph of which shows three  individuals on a zebra  crossing. The picture is composed, or  subsequently cropped, to exclude  their faces, and to include the shadows  they cast on the street. In  strict accordance with the law, their hair remains covered and any  tight-fitting clothes are concealed; two  of them wear black chadors &#8211;  they appear here as impenetrable  silhouettes.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" alt=\"shadowlands-3\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/09\/shadowlands-3.jpg?resize=470%2C312&#038;ssl=1\" height=\"312\" width=\"470\" data-recalc-dims=\"1\" \/><\/p>\n<p>Nava&#8217;s title might refer to the blackened shapes of  the  chadors &#8211; certainly they are a recurring motif, not  surprising given his interest in photographing Iranian women on  the  capital\u2019s streets. Many of the pictures are taken from waist height,   presumably surreptitiously, using available light. Women gathered   together in conversation;&nbsp;women being driven (by a man) on a moped, or in a car;   women walking, shopping, waiting, even aiming a rifle. Not all wear   the chador: there are occasional glimpses of brightly-coloured floral   headscarves &#8211; or perhaps some hair. Jeans and trainers, designer   shopping bags and mobile phones &#8211; emblems of lifestyles at variance with   post-Revolutionary gendered strictures on probity and modesty. Surely  it is no mistake that the most vibrantly dressed woman &#8211; startling in green &#8211; is pictured away from the city\u2019s policed main  streets;  she stands solitary, overlooking a barren hillscape and power  lines that  disappear to the horizon.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" alt=\"shadowlands-12\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/09\/shadowlands-12.jpg?resize=470%2C312&#038;ssl=1\" height=\"312\" width=\"470\" data-recalc-dims=\"1\" \/><\/p>\n<p>The angle of a  headscarf, the length of a coat, the tightness of a  belt are here  charged with meaning, a political context for which is  suggested by  <em>Shadowlands<\/em>\u2019 photographs of Tehran\u2019s huge Revolutionary  murals. The  Shiite Imam Mahdi cradles a lifeless body: &#8216;The nation is  grateful to  the martyrs of the war&#8217;. Khomeini addresses a crowd  gathered at  Jerusalem\u2019s Dome of the Rock: \u2018Ayatollah Khomeini, our  spiritual  leader&#8217;. The Stars and Stripes, but with skulls for stars,  and falling  bombs for stripes: &#8216;Down with the USA&#8217;.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" alt=\"shadowlands-14\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/09\/shadowlands-14.jpg?resize=470%2C312&#038;ssl=1\" height=\"312\" width=\"470\" data-recalc-dims=\"1\" \/><\/p>\n<p>Nava&#8217;s work is no diatribe though, and the series&#8217; title might be equally well interpreted to mean a&nbsp;region or land of indeterminacy and uncertainty. Though a contested  symbolic war, of sorts, is waged in Tehran&#8217;s walls and streets, it does not exclude the possibility of quieter, sometimes wry  observation. Nava photographs a  potted palm, hopelessly inferior to the tropical beach scenes depicted  on the side of a nearby  escalator; he pictures a character dressed as a cartoon rabbit &#8211;  one that has seen  better days &#8211; waiting alone on a pavement; and a child &#8211; who has no doubt never even heard of Marilyn Monroe &#8211; stands on  an air vent and tries  to calm a billowing skirt. Moments of understated humour perhaps; ambiguous counters to the city&#8217;s more strident voices and demands.<\/p>\n<p>Guy Lane<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" alt=\"shadowlands-10\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/09\/shadowlands-10.jpg?resize=470%2C306&#038;ssl=1\" height=\"306\" width=\"470\" data-recalc-dims=\"1\" \/><\/p>\n<div class=\"im\"><a target=\"_blank\" href=\"http:\/\/www.blackdogonline.com\/all-books\/shadowlands.html\">Shadowlands by Zadoc Nava<\/a><\/div>\n<p><a target=\"_blank\" href=\"http:\/\/www.blackdogonline.com\/all-books\/shadowlands.html\"> Black Dog Publishing<\/a><br \/>Paperback, 144 pages<br \/> 120 b\/w and colour photographs<br \/>\u00a319.95<\/div>\n","protected":false},"excerpt":{"rendered":"<div>Guy Lane reviews Zadoc Nava&#8217;s book, <em>Shadowlands<\/em>.<\/div>\n","protected":false},"author":1,"featured_media":3223,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[22],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Shadowlands - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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