{"id":327,"date":"2005-09-01T11:24:23","date_gmt":"2005-09-01T10:24:23","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=327"},"modified":"2013-07-28T11:26:13","modified_gmt":"2013-07-28T10:26:13","slug":"v4n2","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/v4n2\/","title":{"rendered":"Vol.4 No.2"},"content":{"rendered":"<\/div>\n<div>Vol.4 No.2<br \/><a href=\"http:\/\/store.foto8.com\/index.php?app=ecom&amp;ns=prodshow&amp;ref=BackIssue_V4N2\">BUY NOW<\/a><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"review_photo\" alt=\"V4N2_275\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/01\/V4N2_275.jpg?resize=160%2C193&#038;ssl=1\" height=\"193\" width=\"160\" data-recalc-dims=\"1\" \/><strong>Features<\/strong><br \/> <em>Under Water<\/em> Ken Griffiths&nbsp;<em>Head over Heels<\/em>: Caroline Irby <br \/> <em>We Were Here<\/em> Lucian Read<br \/> <em>Survivors<\/em> Jodi Bieber <br \/> <em>Proof of Life<\/em> Sara Terry <br \/> <em>Out of Line<\/em> Stuart Griffiths <br \/> <em>Eyes Wide Open<\/em> Andrew Testa <br \/> <em>Jesus and the Cherries<\/em> Jessica Backhaus <br \/> <em>In Search of Midaq Alley<\/em> Rod Shone <br \/> <em>The Road Less Travelled<\/em> Yann Mingard<br \/>+ more<\/p>\n<p>[issuu width=800 height=600 showHtmlLink=false printButtonEnabled=false backgroundColor=%23222222 documentId=111116155303-95eb3c43c56f4878804e17b83f0d46a6 name=vol4no2 username=foto8 unit=px id=02722ff1-b08d-9c12-29a3-3eabe6779dbb v=2]<\/p><\/div>\n<div><strong>Editor&#8217;s Letter<\/strong><br \/>It&#8217;s that time again &#8230; and, of course, it&#8217;s the passing of time that drives production and publication of this, and every other, magazine. The word \u201cmagazine\u201d itself derives from the concept of storing and saving moments in time, a repository for features that reflect the years in which we live. Apart from originating in a photographic aesthetic, all the stories in this issue of EI8HT question time. The Survivors, as photographed by Jodi Bieber, bring with them a recollection from the past and a vision of the future through Jodi&#8217;s sympathetic but unflinching triptychs. Sara Terry&#8217;s Proof of Life is inextricably linked to the past, remembering the Bosnian war ten years on. Sara has been mindful not to let her work be overwhelmed by the country\u2019s painful history, instead her images look forward and reveal a brighter future that only time can deliver. <\/p>\n<p> Elsewhere in this issue we discover the ex-soldiers in Stuart Griffiths\u2019 photographs struggling to redefine their present and future; Andrew Testa\u2019s images of the Moken sea gypsies seemingly suspended in time, holding on to an existence despite the changes wrought by a new world; and we follow in the footsteps of Rod Shone as he reads from a 1940s text to guide his impressions of contemporary life observed in the alleyways of Cairo.<\/p>\n<p> For us at EI8HT, photography, with the basic principles of shutter speed and exposure, presents the ultimate means to capture and depict time: uniquely, photography allows us to extract a single instance, record it and, over time, take meaning from it. Max Houghton writes eloquently in this issue&#8217;s essay about the principles that photographers, editors and curators of photography archives follow to create meaningful and lasting documents. Max explores how time and memory continually shape the reading of photographs to influence our understanding of events.<\/p>\n<p> And, one more thing, before I run out of time\u2026 you may have noticed EI8HT\u2019s change of address. Yes, we have moved to new premises on Honduras Street in London with roomy offices and an extra floor for a gallery. What better way to compliment our concepts of time than space!<\/p>\n<p><a href=\"http:\/\/store.foto8.com\/index.php?app=ecom&amp;ns=prodshow&amp;ref=BackIssue_V4N2\">BUY THUS ISSUE NOW<\/a><\/div>\n<div><span style=\"color: #000000;\"><\/span><\/div>\n<p><span style=\"color: black;\"><span class=\"text\"> <\/span><\/span><span class=\"text\"><span style=\"color: #646464;\"><br \/> <\/span><\/span><span class=\"bold\"><span class=\"text\"><strong><span style=\"color: #268ec3;\"><\/span><\/strong><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<div><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2008\/01\/V4N2_thumb.jpg\" alt=\"V4N2\" title=\"V4N2\" height=\"143\" width=\"115\" \/>  <\/p>\n","protected":false},"author":1,"featured_media":325,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[26],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - 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Press copies available for reviews and editorial purposes. Survivors Invited by Amnesty International and Medecins Sans Frontieres to document the threat to women in South Africa, it was Jodi Bieber\u2019s challenge to portray the truth of\u2026","rel":"","context":"In &quot;press releases&quot;","block_context":{"text":"press releases","link":"https:\/\/www.foto8.com\/live\/category\/s10-media\/press-releases\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":226,"url":"https:\/\/www.foto8.com\/live\/vinam-at-peace\/","url_meta":{"origin":327,"position":4},"title":"Vi\u00eat Nam at Peace","author":"Jon","date":"19 Dec 2007","format":false,"excerpt":"Philip Jones Griffiths Published by Trolley \u00a339.95 312pp Hardback \u00a0","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2897,"url":"https:\/\/www.foto8.com\/live\/engaged-observers\/","url_meta":{"origin":327,"position":5},"title":"Engaged Observers","author":"Jon","date":"10 Feb 2011","format":false,"excerpt":"Leo Hsu reviews Engaged Observers: Documentary Photography Since the Sixties.","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"\u00a9 The Philip Jones Griffiths Foundation\/ Magnum Photos","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/02\/eo_griffiths.jpg?fit=470%2C316&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/327"}],"collection":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/comments?post=327"}],"version-history":[{"count":1,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/327\/revisions"}],"predecessor-version":[{"id":4579,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/327\/revisions\/4579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media\/325"}],"wp:attachment":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media?parent=327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/categories?post=327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/tags?post=327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}