{"id":3285,"date":"2011-09-30T14:48:40","date_gmt":"2011-09-30T14:48:40","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=3285"},"modified":"2011-09-30T14:48:40","modified_gmt":"2011-09-30T14:48:40","slug":"foto8-seminar-new-documentary","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/foto8-seminar-new-documentary\/","title":{"rendered":"New Documentary"},"content":{"rendered":"<div><span style=\"font-family: helvetica;\"><span style=\"font-size: 12pt;\"><img decoding=\"async\" loading=\"lazy\" class=\"review_photo\" style=\"float: left;\" alt=\"nd_280\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/09\/nd_280.jpg?resize=150%2C150&#038;ssl=1\" width=\"150\" height=\"150\" data-recalc-dims=\"1\" \/>Practising New Documentary<br \/>28 January 2012<\/p>\n<p><\/span><\/span><span style=\"font-family: helvetica;\">THIS SEMINAR IS NOW SOLD OUT<\/span><br \/><span style=\"font-family: helvetica;\"><span style=\"font-size: 12pt;\"><\/span><br \/><\/span><span style=\"font-family: helvetica;\">Documentary Photography is being redefined almost daily. Its increasing acceptance in the world\u2019s most prestigious art galleries and museums is testament to this change. Is the overriding interest in the aesthetic anything other than a sophisticated marketing strategy or does it have a crucial role in the nature of witnessing? What\u2019s more important: authorship or the story?<br \/><\/span><br \/><span style=\"font-family: helvetica;\">Each  speaker will talk for approximately one hour, leaving ample time for  questions afterwards. During the group critique session, participants  will be put into groups in which each person will have the opportunity  to show and speak about their work and receive feedback from speakers  and other seminar participants.<\/span><br \/><span style=\"font-family: helvetica;\"><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p><span style=\"font-size: 12pt;\">Confirmed speakers<\/p>\n<p><\/span><\/span><span style=\"font-family: helvetica;\"><img decoding=\"async\" loading=\"lazy\" class=\"review_photo\" style=\"float: left;\" alt=\"simonbaker\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/09\/simonbaker.jpg?resize=150%2C150&#038;ssl=1\" width=\"150\" height=\"150\" data-recalc-dims=\"1\" \/>Simon Baker &#8211; Curator of Photography, Tate Modern<br \/><\/span><span style=\"font-family: helvetica;\">Dr Simon Baker is Curator of Photography and International Art,&nbsp;Tate. Prior to becoming Tate&#8217;s first curator of photography, he was Associate Professor of Art History at the University of Nottingham, where he taught history of photography, surrealism and contemporary art. He has published widely on these subjects, and curated the following exhibitions: Undercover Surrealism: Georges Bataille and Documents (Hayward, London,&nbsp;2006); Close-up: proximity and defamiliarisation in art, film and photography, (Fruitmarket, Edinburgh, 2008); and most recently at Tate Modern, Taryn Simon: A Living Man Declared Dead and Other Chapters.<\/span><br \/><span style=\"font-family: helvetica;\"><br \/><a target=\"_blank\" href=\"http:\/\/pollybraden.com\/\"><img decoding=\"async\" loading=\"lazy\" style=\"float: left;\" class=\"review_photo\" alt=\"Polly-Braden\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/09\/Polly-Braden.jpg?resize=150%2C150&#038;ssl=1\" width=\"150\" height=\"150\" data-recalc-dims=\"1\" \/>Polly Braden<\/a> &#8211; photographer<br \/>Braden has become renowned for her photography exploring the relationship between daily life, work and leisure. Searching for small and telling gestures her images are acutely observed portraits within a broader assessment of contemporary culture. She works on long-term, self-initiated projects and has photographed in the Middle East, Morocco, Kenya and China. She has lived in China and photographed the country for over decade. Her book <em>China Between<\/em> (Dewi Lewis, 2010) is a ground-breaking study of the everyday life of China\u2019s new urban middle classes. Braden is a winner of the Jerwood Photography Prize (2003) and The Guardian Newspaper Young Photographer of the Year (2002). She has exhibited at venues internationally including the Institute of Contemporary Arts (London) and the Museum of Contemporary Photography, Chicago (USA), The Museum of London, Quad (Derby), Street Level (Glasgow), Photofusion (London), Minnie Weisz Studio (London) and Kracow Photomonth (Poland). She is currently photographing life and work within the square mile of the City of London.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" style=\"float: left;\" class=\"review_photo\" alt=\"r_dallaporta\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/07\/r_dallaporta.jpg?resize=150%2C144&#038;ssl=1\" width=\"150\" height=\"144\" data-recalc-dims=\"1\" \/><a target=\"_blank\" href=\"http:\/\/www.raphaeldallaporta.com\/\">Raphael Dallaporta<\/a> &#8211; photographer<br \/>Dallaporta has gained international acclaim for his thoughtful and engaging projects. He is concerned with public issues addressing human rights as well as more symbolic subjects such as the fragility of life. His long term projects are a product of his collaborations with professionals from a wide range of fields. He has worked closely with a landmine clearer (Antipersonnel), a reporter who covers social work as it intersects with the law (Domestic Slavery), forensic pathologist (Fragile) and most recently archeologists (Ruins). Dallaporta is the winner of the 2010 Young Photographer ICP Infinity Award and FOAM\u2019s 2011 Paul Huf Award. Solo exhibitions include \u201cRapha\u00ebl Dallaporta, Protocole\u201d at Mus\u00e9e de l\u2019Elys\u00e9e, Lausanne, in 2010, \u201cAutopsy\u201d curated by Kathy Ryan at the New York 2008 Photo Festival, and \u201cAntipersonnel\u201d curated by Martin Parr at Les Rencontres d\u2019Arles 2004, among many others&nbsp;in Europe, Asia and New York. His work&nbsp;is included in the collections of the Mus\u00e9e de l\u2019Elys\u00e9e, Lausanne, Switzerland; Fond National d\u2019Art Contemporain (FNAC), Paris and the Maison Europeenne de la Photographie (MEP), Paris.<\/span><br \/><span style=\"font-family: helvetica;\"><br \/><a target=\"_blank\" href=\"http:\/\/www.geertvankesteren.com\/\"><img decoding=\"async\" loading=\"lazy\" style=\"float: left;\" class=\"review_photo\" alt=\"geertvk\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/09\/geertvk.jpg?resize=150%2C138&#038;ssl=1\" width=\"150\" height=\"138\" data-recalc-dims=\"1\" \/>Geert van Kesteren<\/a> &#8211; photographer<\/span><br \/><span style=\"font-family: helvetica;\">Born in Amsterdam, Geert Van Kesteren, first worked as a photojournalist in Iraq during Operation \u201cDesert Fox\u201d in 1998. He returned there in April 2003 and spent several months working on assignment for <em>Newsweek<\/em> and <em>Stern<\/em> magazines. His work has been published in many other international magazines, and has led to the ground-breaking book <em>Why Mister, Why?<\/em>, about his experiences in Iraq. In 2004, he received the Visa d\u2019or at the Festival Visa in Perpignan. Van Kesteren believes that the quality of independent journalism is an index of the quality of democracy in a country. His latest book<em> Baghdad Calling<\/em> reveals everyday life in the Iraq of 2006 and 2007 through the eyes of Iraqis themselves, in mobile phone photos that van Kesteren collected. He has been based in Jerusalem for the past two years, where he is working on a filmed documentary on themes of truth and faith and their role in the Israel\/Palestine conflict.<\/span><\/p>\n<p> &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<span style=\"font-family: helvetica;\"><\/span><br \/><span style=\"font-family: helvetica;\"><\/span><span style=\"font-family: helvetica;\"><span style=\"text-decoration: underline;\"><strong><\/strong><\/span><\/p>\n<p><a target=\"_blank\" href=\"http:\/\/uk.blurb.com\"><img decoding=\"async\" loading=\"lazy\" class=\"review_photo\" style=\"float: left;\" alt=\"blurb_logo\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2010\/01\/blurb_logo.gif?resize=96%2C90&#038;ssl=1\" width=\"96\" height=\"90\" data-recalc-dims=\"1\" \/><\/a>Foto8  is pleased to announce that four spaces on this seminar are available  at the half price rate of \u00a370 for current students, thanks to the  generous support of Blurb. This is available to the first four students  to book by ringing us on <br \/>+44 (0) 20 7253 8801 &#8211; UNFORTUNATELY THIS OFFER HAS NOW SOLD OUT.<br \/><\/span><\/p>\n<p><span style=\"font-family: helvetica;\">The seminar will take place at Foto8<br \/>1 Honduras Street<br \/>London EC1Y 0TH<\/p>\n<p>Saturday 28 January 2012<br \/>10am &#8211; 7pm, followed by drinks<br \/><\/span><span style=\"font-family: helvetica;\"><\/p>\n<p>The fee for this seminar is \u00a3140 which includes all seminar  sessions and group crit session as well as lunch, beverages throughout  the day and a drinks reception in the evening.<\/span> <span style=\"font-family: helvetica;\"><\/p>\n<p>Foto8 members can receive the discounted fee of \u00a3120 for this  seminar. Please call +44(0) 207 253 8801 to book. Otherwise,  please follow the link below to book and pay.<\/p>\n<p>For any questions, please contact Foto8 on  seminars@foto8.com or <br \/>+44(0) 207 253 8801.<br \/><\/span><span style=\"font-family: helvetica;\"><br \/><\/span>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<br \/><a target=\"_blank\" href=\"..\/seminars\/seminar_terms.html\"><br \/>Please read the Terms and Conditions before booking.<\/a><\/p>\n<p><a href=\"https:\/\/bookwhen.com\/hg4b7\/201201281000\/d97\" title=\"Book Online\"><img decoding=\"async\" alt=\"Book Online\" src=\"https:\/\/i0.wp.com\/bookwhen.com\/images\/bookonline.png?w=1200\" data-recalc-dims=\"1\" \/><\/a><br \/><span style=\"font-family: helvetica;\"><br \/><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<div>The fourth speaker for Foto8&#8217;s January seminar will be Curator of Photography at Tate Modern, Simon Baker. He joins Polly Braden, Raphael Dallaporta and Geert van Kesteren for a day event looking into new ways of practising documentary work.<\/div>\n","protected":false},"author":1,"featured_media":3281,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[37],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>New Documentary - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/foto8-seminar-new-documentary\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New Documentary - FOTO8\" \/>\n<meta property=\"og:description\" content=\"The fourth speaker for Foto8&#039;s January seminar will be Curator of Photography at Tate Modern, Simon Baker. 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