{"id":544,"date":"2008-04-11T10:01:07","date_gmt":"2008-04-11T10:01:07","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=544"},"modified":"2008-04-11T10:01:07","modified_gmt":"2008-04-11T10:01:07","slug":"martin-parr-new-typographies","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/martin-parr-new-typographies\/","title":{"rendered":"Martin Parr &#8211; New Typographies"},"content":{"rendered":"<p><span style=\"font-size: 10pt; font-family: arial,helvetica,sans-serif;\"><br \/> From the unlikely sounding Tarantino-meets-Disney venues Smack Mellon and Dumbo Arts Center, Magnum photographer and curator of New Typologies Martin Parr lays out his stall for the Future of Photography. In employing the word \u2018typology\u2019, Parr is evoking a tradition in which the best-known exponents are Bernd and Hilda Becher. \u201cYes, it\u2019s been around for a long time, but people are using it to great effect at the moment,\u201d says Parr. \u201cPhotographing something over and over again can bring an extra level of rigour to certain subject matters. It\u2019s not new, but no-one has isolated it as a specific trend.\u201d<\/span><\/p>\n<p> <img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/04\/wylie-a_11214.jpg?resize=470%2C362&#038;ssl=1\" class=\"review_photo\" style=\"width: 470px; height: 362px;\" title=\"\u00a9 Donovan Wylie\" alt=\"\u00a9 Donovan Wylie\" height=\"362\" width=\"470\" data-recalc-dims=\"1\" \/><br \/> <span class=\"photo_copyright\"> Donovan Wylie<\/span><br \/> <span style=\"font-size: 10pt; font-family: arial,helvetica,sans-serif;\"><br \/> Indeed Parr used the strategy for his own recent book Parking Spaces. The use of the related concept of repetition is an enduring theme for Magnum photographers and was celebrated in a magazine venture called M2, published by the Paris bureau and Steidl in 2005. Parr\u2019s Magnum colleague Donovan Wylie has recently employed a typological study for his latest photographs of The Maze Prison. Wylie has of course photographed The Maze before \u2013 it was this body of work that secured his reputation \u2013 but this time he is photographing its demolition. In fact, he was still photographing the work up until just a few weeks ago. <\/p>\n<p> Most of the other photographers selected by Parr are less well known, but they\u2019re \u201chot new players\u201d, not least the vibrant young Dutch photographers known collectively as WassinkLundgren. The duo won the Arles book prize last year for their project Empty Bottles, in which they photograph Beijing and Shanghai residents picking up bottles from the streets in order to recycle them. Viewers can also expect to see a series of those magical spaces, photographers\u2019 darkrooms, a diminishing space captured for posterity by Michel Campeau.<\/span> <\/p>\n<p> <img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/04\/wassinklundgren-empty_bottles_02_copy.jpg?resize=350%2C438&#038;ssl=1\" alt=\"\u00a9 wassinklundgren\" title=\"\u00a9 wassinklundgren\" style=\"width: 350px; height: 438px;\" height=\"438\" width=\"350\" data-recalc-dims=\"1\" \/><br \/> <span class=\"photo_copyright\">WassinkLundgren &#8211; Empty Bottles<\/span><\/p>\n<p> <span style=\"font-size: 10pt; font-family: arial,helvetica,sans-serif;\"> Parr wasn\u2019t especially keen to extol the respective artistic merit of his exhibitees, who include Jeffrey Milstein, Sarah Pickering, Anank\u00e9 Asseff, Jan Banning and Jan Kempenaers, preferring to keep his comments \u201ctight and efficient\u201d and also, presumably, to let the work speak for itself. We do know, though, that he believes that the form of the photographic series brings \u201corder to the chaos of the modern world we live in.\u201d Just back from the opening of his own mega-show Parrworld in Munich \u2013 which he described as \u201cvery complex\u201d- Parr seemed keen to throw himself into the New York experience, perhaps looking to bring some order to his self-made chaos. And of course to champion the work of photography\u2019s rising stars. As Parr says, \u201cIt\u2019s very important for old farts like me to have some fresh young competition.\u201d<\/span><\/p>\n<p> <em>Martin Parr was speaking with Max Houghton<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p><span style=\"color: #000000;\"><strong><span class=\"times13\"><strong>At Smack Mellon<\/strong><\/span> and Dumbo Arts Center (DAC)<\/strong><\/span><\/p>\n<p>\u00a0<\/p>\n<p><a href=\"content\/view\/417\/421\/\" target=\"_self\">What do you think of this exhibition? Login and comment here. <\/a> <a href=\"content\/view\/417\/326\/\" target=\"_self\"><br \/> <\/a><img decoding=\"async\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2008\/04\/wylie-a_11214.jpg\" title=\"\u00a9 Donovan Wylie\" alt=\"\u00a9 Donovan Wylie\" width=\"250\" \/> <span style=\"font-size: 10pt; font-family: arial,helvetica,sans-serif;\"> <br \/>From the unlikely sounding Tarantino-meets-Disney venues Smack Mellon and Dumbo Arts Center, Magnum photographer and curator of New Typologies <strong>Martin Parr <\/strong>lays out his stall for the Future of Photography.<\/p>\n<p> In employing the word \u2018typology\u2019, Parr is evoking a tradition in which the best-known exponents are Bernd and Hilda Becher. \u201cYes, it\u2019s been around for a long time, but people are using it to great effect at the moment,\u201d says Parr. \u201cPhotographing something over and over again can bring an extra level of rigour to certain subject matters. It\u2019s not new, but no-one has isolated it as a specific trend.\u201d<\/p>\n<p> <\/span><\/p>\n","protected":false},"author":1,"featured_media":542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[19],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Martin Parr - New Typographies - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/martin-parr-new-typographies\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Martin Parr - New Typographies - FOTO8\" \/>\n<meta property=\"og:description\" content=\"At Smack Mellon and Dumbo Arts Center (DAC) \u00a0 What do you think of this exhibition? Login and comment here.   From the unlikely sounding Tarantino-meets-Disney venues Smack Mellon and Dumbo Arts Center, Magnum photographer and curator of New Typologies Martin Parr lays out his stall for the Future of Photography. In employing the word \u2018typology\u2019, Parr is evoking a tradition in which the best-known exponents are Bernd and Hilda Becher. \u201cYes, it\u2019s been around for a long time, but people are using it to great effect at the moment,\u201d says Parr. \u201cPhotographing something over and over again can bring an extra level of rigour to certain subject matters. 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It\u2019s a joint initiative between the owner of powerHouse books and the managing director of VII photo agency that includes participating galleries and venues creating a neighborhood of photography for four days in Brooklyn.","rel":"","context":"In &quot;Blogs&quot;","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"eastriverfog.jpg","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/05\/eastriverfog.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":791,"url":"https:\/\/www.foto8.com\/live\/method-in-his-madness\/","url_meta":{"origin":544,"position":1},"title":"Method in his Madness: Martin Parr and Parrworld","author":"Jon","date":"11 Jun 2008","format":false,"excerpt":"Martin Parr spoke to Guy Lane about the relationship between photography and collecting, and about his most extensive collection to date.","rel":"","context":"In &quot;Blogs&quot;","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"parr-moon_medallion.jpg","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/06\/parr-moon_medallion.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1158,"url":"https:\/\/www.foto8.com\/live\/martin-parr-and-erik-kessels-present-2\/","url_meta":{"origin":544,"position":2},"title":"Martin Parr and Erik Kessels Present","author":"Jon","date":"27 Oct 2008","format":false,"excerpt":"Martin Parr (left) and Erik Kessels (centre) presented a one hour slideshow of their photographic collections at Fotodok 2008 in Holland. 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