{"id":574,"date":"2008-04-17T04:44:58","date_gmt":"2008-04-17T04:44:58","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=574"},"modified":"2008-04-17T04:44:58","modified_gmt":"2008-04-17T04:44:58","slug":"new-horizons","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/new-horizons\/","title":{"rendered":"New Horizons"},"content":{"rendered":"

Two markedly different New York<\/st1:place><\/st1:state> exhibitions, of work by Sze Tsung Leong and Lee Friedlander, test the potential of landscape photography as a vehicle for the exploration of diverse \u2013 global, local, political and pictorial – concerns<\/o:p><\/span><\/p>\n

<\/o:p><\/span><\/p>\n

SzeTsung Leong spent his childhood between Mexico<\/st1:country-region>, Britain<\/st1:country-region> and the United States<\/st1:place><\/st1:country-region> \u2013 perhaps the experience contributed to the pronounced global aspect of his recent photography<\/span>. <\/span>A new series Horizons<\/em>, on show at New York<\/st1:state>\u2019s Yossi Milo Gallery (until May 17), includes pictures made in Inner Mongolia<\/st1:city>, Italy<\/st1:country-region>, the Isle of Skye, Jordan<\/st1:country-region>, India<\/st1:country-region> and Germany<\/st1:place><\/st1:country-region>.<\/o:p><\/span><\/p>\n

<\/o:p><\/span><\/p>\n

Using an 8 x 10 inch view camera, and a variety of medium formats, Leong has produced a series of unobstructed landscape images, often from an elevated viewpoint, that range from cityscapes to wilderness. The sheer diversity of locations and subjects \u2013 industrial or agrarian, poverty-stricken or wealthy, peopled or desolate, new-build or ancient \u2013 might be expected to deliver a similarly diverse set of pictures.<\/o:p><\/span><\/p>\n

<\/o:p><\/span><\/p>\n

\"\u00a9
Canale della Giudecca I, Venezia, 2007 \u00a9 Sze Tsung Leong, Courtesy Yossi Milo Gallery<\/p>\n

\u00a0<\/p>\n

But Leong\u2019s photographs are deliberately constructed to impose a unity, of sorts, on the scenes surveyed. This is achieved most obviously by the repeated positioning of the pictorial horizon in the same place (about a third of the way up the frame) in each image. Viewed on the gallery wall, where the pictures are uncaptioned and closely abutted, the same interchangeable horizon appears to run through far-flung, and proximate, locations.<\/span><\/p>\n

\u00a0<\/p>\n

The resulting homogeneity, and the collapsing of geographical distance, are strategies designed to provoke a consideration of the contingency and fluidity of the relations between cultures and regions, As Leong writes in an accompanying essay: \u201cThe drifting horizon reveals the tendency for the arbitrariness of distinctions, the randomness of orders. Political borders, for example, rarely delineate essences \u2013 they are only the boundaries that overlap in the most dominant way\u2026Any way we divide up the world will overlap with other orders\u2026As a result, the boundaries of what we consider the local need not be limited to physically confined, specific places \u2013 the local can be mobile and dispersed.\u201d <\/o:p><\/span><\/p>\n

<\/o:p><\/span><\/p>\n

In contrast to the epic and global scale of Horizons<\/em>, Lee Friedlander\u2019s A Ramble in Olmsted Parks<\/em> (at the Metropolitan<\/st1:placename> Museum<\/st1:placetype><\/st1:place> until May 11) explores the possibilities of a determinedly personal, local investigation of landscape photography.<\/o:p><\/p>\n

<\/o:p><\/span><\/p>\n

Though the putative subject of Friedlander\u2019s pictures is the park designs of landscape architect Frederick Law Olmsted, his photographs pursue compositional and pictorial themes that have been evident in much of his work, in a variety of locations, since the 1980\u2019s. That said, familiarity does nothing to detract from the bewilderingly complex, astute and decentred compositions of sharply-rendered webs of branches and veils of twigs<\/p>\n

\u00a0<\/p>\n

\"\u00a9<\/p>\n

Cherokee, Louisville, Kentucky, 1993<\/p>\n

\u00a9 Lee Friedlander, courtesy Fraenkel Gallery, San Francisco<\/span><\/p>\n

<\/span><\/p>\n

<\/span><\/div>\n

Olmsted was responsible for many of North America\u2019s nineteenth century public and private urban spaces – amongst them the Capitol building landscape, Washington Park, New York\u2019s Central Park, Chicago\u2019s\u2019 Jackson Park and Louisville\u2019s Cherokee Park. Friedlander\u2019s interest in his designs appears to have been sparked by an initial commission for the Canadian Centre for Architecture; yet his photography continued long after completion of the brief.<\/o:p><\/p>\n

<\/o:p><\/span><\/p>\n

To the extent that the Olmsted photographs reveal interests that are evident in similar Friedlander projects – of cherry blossom in Tokyo<\/st1:city>, apple orchards in New York<\/st1:state>, olive groves in Spain<\/st1:country-region>, or cacti in Arizona<\/st1:place><\/st1:state> \u2013 they bear witness to the possibilities and benefits of an unflinching, concentrated and extended exploration of formal pictorial concerns. In his own words, he \u201cneeded to use all that I had learned, every trick, my best gear, whatever wit I was capable of, and I had to be as sharp and aware and immediate as a spark.\u201d<\/p>\n

\u00a0<\/p>\n

\"\u00a9<\/p>\n

Cherokee, Louisville, Kentucky, 1994.<\/span><\/p>\n

\u00a9 Lee Friedlander, courtesy Fraenkel Gallery<\/span> <\/o:p><\/span><\/p>\n

\u00a0<\/p>\n

Despite the very different motivations that animate their landscape photography, Friedlander and Leong share an awareness of the impossibility of their enterprises. Leong describes his own photographs as \u201cincomplete fragments\u201d. While for Friedlander: \u201cLandscape! The subject of landscape as a photographic possibility is both pleasurable and very difficult. The subject itself is simply perfect, and no matter how well you manage as a photographer, you will only ever give a hint as to how good the real thing is.\u201d<\/p>\n

\u00a0<\/p>\n

Guy Lane<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

Sze Tsung Leong, <\/strong>Horizons<\/span>, <\/strong>(until May 17, 2008)<\/o:p><\/strong><\/span><\/p>\n

Yossi Milo Gallery <\/strong>525 West 25th Street<\/span><\/st1:street>, New York<\/st1:city><\/span><\/st1:address><\/span><\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

Lee Friedlander: A Ramble in Olmsted Parks (until May 11, 2008) <\/o:p><\/span><\/p>\n

The Metropolitan Museum, 1000 5th Avenue, New York<\/p>\n

\u00a0<\/p>\n

<\/o:p><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

<\/div>\n

Two markedly different New York<\/st1:place><\/st1:state> exhibitions, of new work by Sze Tsung Leong  (left) and Lee Friedlander, test the potential of landscape photography as a vehicle for the exploration of diverse \u2013 global, local, political and pictorial – concerns.<\/span><\/p>\n","protected":false},"author":1,"featured_media":570,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[19],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"\nNew Horizons - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/new-horizons\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New Horizons - FOTO8\" \/>\n<meta property=\"og:description\" content=\"Two markedly different New York exhibitions, of new work by Sze Tsung Leong  (left) and Lee Friedlander, test the potential of landscape photography as a vehicle for the exploration of diverse \u2013 global, local, political and pictorial - concerns.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.foto8.com\/live\/new-horizons\/\" \/>\n<meta property=\"og:site_name\" content=\"FOTO8\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Foto8\/\" \/>\n<meta property=\"article:published_time\" content=\"2008-04-17T04:44:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/04\/seaintro.jpg?fit=200%2C109&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"109\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jon\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jon\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.foto8.com\/live\/new-horizons\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.foto8.com\/live\/new-horizons\/\"},\"author\":{\"name\":\"Jon\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137\"},\"headline\":\"New Horizons\",\"datePublished\":\"2008-04-17T04:44:58+00:00\",\"dateModified\":\"2008-04-17T04:44:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.foto8.com\/live\/new-horizons\/\"},\"wordCount\":739,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\"},\"articleSection\":[\"Blogs\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.foto8.com\/live\/new-horizons\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.foto8.com\/live\/new-horizons\/\",\"url\":\"https:\/\/www.foto8.com\/live\/new-horizons\/\",\"name\":\"New Horizons - FOTO8\",\"isPartOf\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#website\"},\"datePublished\":\"2008-04-17T04:44:58+00:00\",\"dateModified\":\"2008-04-17T04:44:58+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.foto8.com\/live\/new-horizons\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.foto8.com\/live\/new-horizons\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.foto8.com\/live\/new-horizons\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.foto8.com\/live\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"New Horizons\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.foto8.com\/live\/#website\",\"url\":\"https:\/\/www.foto8.com\/live\/\",\"name\":\"FOTO8\",\"description\":\"The home of photojournalism.\",\"publisher\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.foto8.com\/live\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.foto8.com\/live\/#organization\",\"name\":\"FOTO8\",\"url\":\"https:\/\/www.foto8.com\/live\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1\",\"width\":124,\"height\":51,\"caption\":\"FOTO8\"},\"image\":{\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/Foto8\/\",\"https:\/\/twitter.com\/foto8\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137\",\"name\":\"Jon\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.foto8.com\/live\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g\",\"caption\":\"Jon\"},\"url\":\"https:\/\/www.foto8.com\/live\/author\/wpadmin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"New Horizons - FOTO8","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.foto8.com\/live\/new-horizons\/","og_locale":"en_US","og_type":"article","og_title":"New Horizons - FOTO8","og_description":"Two markedly different New York exhibitions, of new work by Sze Tsung Leong  (left) and Lee Friedlander, test the potential of landscape photography as a vehicle for the exploration of diverse \u2013 global, local, political and pictorial - concerns.","og_url":"https:\/\/www.foto8.com\/live\/new-horizons\/","og_site_name":"FOTO8","article_publisher":"https:\/\/www.facebook.com\/Foto8\/","article_published_time":"2008-04-17T04:44:58+00:00","og_image":[{"width":200,"height":109,"url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/04\/seaintro.jpg?fit=200%2C109&ssl=1","type":"image\/jpeg"}],"author":"Jon","twitter_misc":{"Written by":"Jon","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.foto8.com\/live\/new-horizons\/#article","isPartOf":{"@id":"https:\/\/www.foto8.com\/live\/new-horizons\/"},"author":{"name":"Jon","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137"},"headline":"New Horizons","datePublished":"2008-04-17T04:44:58+00:00","dateModified":"2008-04-17T04:44:58+00:00","mainEntityOfPage":{"@id":"https:\/\/www.foto8.com\/live\/new-horizons\/"},"wordCount":739,"commentCount":0,"publisher":{"@id":"https:\/\/www.foto8.com\/live\/#organization"},"articleSection":["Blogs"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.foto8.com\/live\/new-horizons\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.foto8.com\/live\/new-horizons\/","url":"https:\/\/www.foto8.com\/live\/new-horizons\/","name":"New Horizons - FOTO8","isPartOf":{"@id":"https:\/\/www.foto8.com\/live\/#website"},"datePublished":"2008-04-17T04:44:58+00:00","dateModified":"2008-04-17T04:44:58+00:00","breadcrumb":{"@id":"https:\/\/www.foto8.com\/live\/new-horizons\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.foto8.com\/live\/new-horizons\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.foto8.com\/live\/new-horizons\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.foto8.com\/live\/"},{"@type":"ListItem","position":2,"name":"New Horizons"}]},{"@type":"WebSite","@id":"https:\/\/www.foto8.com\/live\/#website","url":"https:\/\/www.foto8.com\/live\/","name":"FOTO8","description":"The home of photojournalism.","publisher":{"@id":"https:\/\/www.foto8.com\/live\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.foto8.com\/live\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.foto8.com\/live\/#organization","name":"FOTO8","url":"https:\/\/www.foto8.com\/live\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1","contentUrl":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2023\/04\/foto8logo_blk.gif?fit=124%2C51&ssl=1","width":124,"height":51,"caption":"FOTO8"},"image":{"@id":"https:\/\/www.foto8.com\/live\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Foto8\/","https:\/\/twitter.com\/foto8"]},{"@type":"Person","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/52655249f7e3f6eff4e0fe2540d65137","name":"Jon","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.foto8.com\/live\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6993c5976717725ffe3a4e678a401748?s=96&d=mm&r=g","caption":"Jon"},"url":"https:\/\/www.foto8.com\/live\/author\/wpadmin\/"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/04\/seaintro.jpg?fit=200%2C109&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ejRI-9g","jetpack-related-posts":[{"id":3391,"url":"https:\/\/www.foto8.com\/live\/the-life-and-death-of-buildings\/","url_meta":{"origin":574,"position":0},"title":"The Life and Death of Buildings","author":"Jon","date":"15 Dec 2011","format":false,"excerpt":"Guy Lane reviews The Life and Death of Buildings, a book and exhibition looking at the relationships of photography, buildings, history and meaning.","rel":"","context":"In "Reviews"","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"lyon","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2011\/12\/lyon.jpg?fit=470%2C471&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":152,"url":"https:\/\/www.foto8.com\/live\/8-magazine-shortlisted-in-magazine-design-awards\/","url_meta":{"origin":574,"position":1},"title":"8 MAGAZINE SHORTLISTED IN MAGAZINE DESIGN AWARDS","author":"Jon","date":"19 Nov 2007","format":false,"excerpt":"EI8HT magazine has been short-listed in the \u2018BEST USE OF PHOTOGRAPHY\u2019 category in the 2004 Magazine Design Awards (MDA) from a field of over 600 entries. \u00a0This follows hot on the heels of EI8HT\u2019s success in June in the One World Broadcast Trust awards, where Alfredo D\u2019Amato snapped up the\u2026","rel":"","context":"In "press releases"","block_context":{"text":"press releases","link":"https:\/\/www.foto8.com\/live\/category\/s10-media\/press-releases\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":237,"url":"https:\/\/www.foto8.com\/live\/family\/","url_meta":{"origin":574,"position":2},"title":"Family","author":"Jon","date":"19 Dec 2007","format":false,"excerpt":"Published by Phaidon \u00a324.95 208pp Hardback\u00a0","rel":"","context":"In "Reviews"","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1714,"url":"https:\/\/www.foto8.com\/live\/stranger-than-fiction\/","url_meta":{"origin":574,"position":3},"title":"Stranger than Fiction","author":"Jon","date":"24 Jun 2009","format":false,"excerpt":"Kate Peters Format Festival 6 March \u2013 5 April 2009 www.formatfestival.com","rel":"","context":"In "Reviews"","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":405,"url":"https:\/\/www.foto8.com\/live\/the-nature-of-photographs\/","url_meta":{"origin":574,"position":4},"title":"The Nature of Photographs","author":"Jon","date":"19 Dec 2007","format":false,"excerpt":"Stephen Shore Published by Phaidon \u00a324.95 136pp Hardback","rel":"","context":"In "Reviews"","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":339,"url":"https:\/\/www.foto8.com\/live\/v3n2\/","url_meta":{"origin":574,"position":5},"title":"Vol.3 No.2","author":"Jon","date":"17 Sep 2004","format":false,"excerpt":"","rel":"","context":"In "Back Issues"","block_context":{"text":"Back Issues","link":"https:\/\/www.foto8.com\/live\/category\/in-print\/back-issues\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/574"}],"collection":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/comments?post=574"}],"version-history":[{"count":0,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/posts\/574\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media\/570"}],"wp:attachment":[{"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/media?parent=574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/categories?post=574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.foto8.com\/live\/wp-json\/wp\/v2\/tags?post=574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}