{"id":58,"date":"2007-10-28T19:17:02","date_gmt":"2007-10-28T19:17:02","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=58"},"modified":"2007-10-28T19:17:02","modified_gmt":"2007-10-28T19:17:02","slug":"telegram-from-guernica","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/telegram-from-guernica\/","title":{"rendered":"Telegram from Guernica"},"content":{"rendered":"<p>George Steer\u2019s big break came at the age of 25 as Special Correspondent in Abyssinia for The Times of London. Having the prestige of The Times behind him gained him an exclusive with the Ethiopian Emperor, Haile Selassie. It is at this point where an extraordinary life began. The theme running throughout the book is that of Steer\u2019s friendship with Selassie. Soon after The Times interview, on Selassie request, Steer was sent on missions to investigate what the Italians were planning and report back. He soon learned that he had been embedded, as the term would go today. Or as he said, riding with \u2018the backbone of resistance\u2019, going to the front line. On his return Steer reported to the world the Italian\u2019s use of mustard gas and pleaded for the Ethiopian people not to rise up, for their muskets were no match for the Italian\u2019s military might.<\/p>\n<p> Through Steer\u2019s diaries and dispatches we learn how war reporting has changed dramatically since his day. Correspondents can be in a war zone within 24 hours and dispatches sent via satellite phone instantly. Steer\u2019s first trip to Ethiopia from the UK took 2 weeks, consisting of a combination of trains and boats and ships. His dispatches were sent as a telegram, the price of which would rise dramatically with demand (in the days leading to the Italian occupation of Addis Ababa telegrams were costing today\u2019s equivalent of $5 a word). <\/p>\n<p> However, what fascinates more is how many other aspects of war and the reporting of it remain the same. <\/p>\n<p> Rankin tells how up to 130 journalists spent weeks confined to the hotels of Addis Ababa waiting for the \u2018story\u2019 to reach them. Frustrated that they couldn\u2019t get out into the field, backstabbing and competitiveness for non-existent stories ensued. One such rival was Evelyn Waugh then of the Daily Mail whose politics were firmly to the right of Steer\u2019s. There was then the looting: with the arrival of the Italians, Selassie fled the country giving orders for his possessions to be distributed amongst the people. The people had other ideas, favouring a looting frenzy. No property was left unturned; men paraded the streets in top hat and tails, fine wines (specially imported for the Italians) were downed in one by thirsty gangs. To the journalist\u2019s horror, even Mon Cin\u00e9, the elite Greek cinema bar did not escape a trashing. Steer tells of how that night\u2019s blockbuster lay spooled over the street. Meanwhile expats of all nationalities, (except Ethiopian or Italian) fled to the British embassy where a tent city enveloped in the grounds. Rankin gives a riveting account of how one of Africa\u2019s most prosperous and diverse cities descended into anarchy in the days leading up to Italian occupation, not wholly dissimilar to recent events in Iraq.<\/p>\n<p> <span class=\"text\">The book\u2019s title refers to Steer\u2019s Telegram that alerted the world to \u2018the Fascist game plan\u2019. On Monday 26th April 1937 Franco waged war on the Spain\u2019s Basque people. Bombs were indiscriminately dropped on the historic town of Guernica. &#8220;The first time a war had intentionally been waged against civilians,&#8221; a tactic in warfare that now seems to be the norm. The author goes onto document the percentage of civilians killed in major conflicts, including September 11. Steer was at the scene of the bombing and found spent bomb casings labelled with German insignia. His telegram stating German involvement was published in The Times and had reverberations around the world. One of it readers was Pablo Piccaso, a pro-Republican Spaniard in exile who went on to paint his masterpiece, Guernica, depicting the destruction and suffering of the Basques as described by Steer.<\/p>\n<p> During World War II Steer headed up a propaganda unit whose aim was to demoralise the opposition through communications. What resulted was the Indian Field Broadcasting Unit (IFBU). Through a network of loudspeakers projecting sentimental music, sounds, speech and anything that would evoke nostalgia in the enemy, Steer\u2019s team set about breaking the will of the Japanese. He never got to see the fruits of his labour. On Christmas day 1944 he died in a tragic road accident. And there an extraordinary life comes to an abrupt end \u2013 as does the book.<\/p>\n<p> Whilst Steer hasn\u2019t become a household name as has say, Evelyn Waugh, it\u2019s no understatement that without Steer the outcome of World War II, and Italy\u2019s colonial adventures could have been very different. Propaganda still plays an important part in war and IFBU lives on. As recently as 1999 its name changed from Psychological Operations to Information Support Group. The current operatives are based in Bedfordshire. A poster of George Steer with Haile Selassie adorns the office wall.<\/p>\n<p> Telegram from Guernica not only documents Steer\u2019s brief yet interesting life. It is also a refreshing look at the tense climate in the run up to World War II. <\/span><\/p>\n<p><strong> Phil Lee <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<h4><a href=\"index.php?option=com_content&amp;view=article&amp;id=30:telegram-from-guernica&amp;catid=19&amp;Itemid=77\"><img decoding=\"async\" loading=\"lazy\" class=\"review_photo\" src=\"https:\/\/www.foto8.com\/live\/wp-content\/uploads\/2007\/10\/telegram.jpg\" alt=\"Telegram from Guernica\" title=\"Telegram from Guernica\" align=\"left\" height=\"176\" hspace=\"0\" width=\"115\" \/><\/a> <span class=\"review_author\">Nicholas Rankin<\/span><br \/> <span class=\"review_additional\">Published by Faber<br \/>256pp<br \/> \u00a314.99<\/span><\/p>\n<\/h4>\n","protected":false},"author":1,"featured_media":57,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[22],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - 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This exciting new issue features the work of...","rel":"","context":"In &quot;foto8 news&quot;","block_context":{"text":"foto8 news","link":"https:\/\/www.foto8.com\/live\/category\/news\/c80-foto8-news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2007\/12\/25_cover_low.jpg?fit=276%2C353&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":525,"url":"https:\/\/www.foto8.com\/live\/what-is-their-ground-is-his-figure-eric-gottesman-on-collaboration\/","url_meta":{"origin":58,"position":1},"title":"What is their ground is his figure: Eric Gottesman on collaboration","author":"Jon","date":"02 Apr 2008","format":false,"excerpt":"Collaborative photographic projects are very different from \"conventional\" documentary work.\u00a0 Eric Gottesman has provided a statement about his photographic collaborations; the issues raised will be of interest to anyone who works in or with documentary photography.","rel":"","context":"In &quot;Blogs&quot;","block_context":{"text":"Blogs","link":"https:\/\/www.foto8.com\/live\/category\/online\/blogs\/"},"img":{"alt_text":"One day, I saw a dream in which Mami, Mami\u00e2\u0080\u0099s friends and my sisters and my brother were sitting together and suddenly a fire has begun burning the house and we ran out.","src":"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2008\/04\/080402-eg-fire.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":244,"url":"https:\/\/www.foto8.com\/live\/afrique-noire\/","url_meta":{"origin":58,"position":2},"title":"Afrique Noire","author":"Jon","date":"19 Dec 2007","format":false,"excerpt":"Didier Ruef Published by Infolio Editions Euro39 191pp Hardback","rel":"","context":"In &quot;Reviews&quot;","block_context":{"text":"Reviews","link":"https:\/\/www.foto8.com\/live\/category\/online\/c131-reviews\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2614,"url":"https:\/\/www.foto8.com\/live\/zuzana-salajkova\/","url_meta":{"origin":58,"position":3},"title":"Zuzana Salajkova","author":"Jon","date":"26 Aug 2010","format":false,"excerpt":"Zuzana now has a new website with more images to be added soon......","rel":"","context":"In &quot;HOST Gallery Blog&quot;","block_context":{"text":"HOST Gallery Blog","link":"https:\/\/www.foto8.com\/live\/category\/on-display\/host-gallery-blog\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1924,"url":"https:\/\/www.foto8.com\/live\/newsletter-management\/","url_meta":{"origin":58,"position":4},"title":"Newsletter Management","author":"Jon","date":"01 Nov 2009","format":false,"excerpt":"Mailing list subscribe\/unsubscribe confirmation So you want to sign-up? Or Unsubscribe? from our mailing list. Everytime a name is added we celebrate with singing and dancing in the office. However everytime a person unsubscribes we hold a minute's silence and do some hard soul searching. 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