{"id":7164,"date":"2014-02-18T13:03:45","date_gmt":"2014-02-18T13:03:45","guid":{"rendered":"http:\/\/www.foto8.com\/live\/?p=7164"},"modified":"2023-10-30T17:19:17","modified_gmt":"2023-10-30T17:19:17","slug":"jondo-by-adrian-morillo","status":"publish","type":"post","link":"https:\/\/www.foto8.com\/live\/jondo-by-adrian-morillo\/","title":{"rendered":"Jondo, the Spirit of Flamenco by Adri\u00e1n Morillo"},"content":{"rendered":"<p><img data-attachment-id=\"7168\" data-permalink=\"https:\/\/www.foto8.com\/live\/jondo-by-adrian-morillo\/jondo-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/02\/adrianmorillo\/4jondo-www.adrianmorillo.com_.jpg?fit=1100%2C733&amp;ssl=1\" data-orig-size=\"1100,733\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;adri\\u00e1n morillo www.amorillo.es&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;A finales del siglo XVIII, es posible que antes, se comenzaba a conocer en un cuadril\\u00e1tero de la Baja Andaluc\\u00eda cuyos v\\u00e9rtices fueron C\\u00e1diz, Ronda, \\u00c9cija y Sevilla la pr\\u00e1ctica flamenca. Realizada por comunidades gitanas que se asentaron en el espacio territorial descrito, consist\\u00eda en el relato entre los propios gitanos de las miserias y sufrimientos que padec\\u00edan durante sus vidas. Se trataba de una pr\\u00e1ctica marginal en Andaluc\\u00eda, desarrollada en reuniones familiares donde se cuidaba que no hubiera nadie que no perteneciera al clan. En estas ceremonias se compart\\u00eda un cante que relataba las vicisitudes, miedos, angustias y sue\\u00f1os de los integrantes de este pueblo. Un ritual desnudo, carente de guitarras y baile, donde el cante, jondo, era el \\u00fanico medio expresivo posible, entendiendo jondo como la m\\u00e1xima expresi\\u00f3n de la angustia nacida de la experiencia y la memoria. Un cante sin educar ni adiestrar, una voz quebrada e incontrolada que surg\\u00eda del sufrimiento de quienes lo compart\\u00edan.Desde finales del siglo XVIII hasta la actualidad ha evolucionado mucho la situaci\\u00f3n social de la comunidad gitana que se instal\\u00f3 en la Baja Andaluc\\u00eda. La pr\\u00e1ctica flamenca se fue haciendo progresivamente p\\u00fablica a medida que los gitanos se fueron convirtiendo en parte esencial de la sociedad andaluza. Esta integraci\\u00f3n del pueblo gitano ha permitido que en la actualidad la pr\\u00e1ctica flamenca se haya convertido en un arte estudiable y abierto as\\u00ed como en un espect\\u00e1culo integrado dentro de la cadena econ\\u00f3mica contempor\\u00e1nea provocando no pocas mutaciones respecto a su pr\\u00e1ctica original.El ritual de confesiones privadas se ha convertido en interpretaci\\u00f3n abierta frente a un p\\u00fablico ajeno, el sentir jondo ha dejado de narrarse a trav\\u00e9s de cantaores para pasar a la voz de int\\u00e9rpretes que cargan con la memoria de las vivencias sus familiares. La espectacularizaci\\u00f3n ha tra\\u00eddo consigo la omnipresencia de la fiesta y el jaleo en la pr\\u00e1ctica flamenca, llegando a i&quot;,&quot;created_timestamp&quot;:&quot;1362191992&quot;,&quot;copyright&quot;:&quot;adri\\u00e1n morillo www.amorillo.es&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Jondo&quot;}\" data-image-title=\"Jondo\" data-image-description=\"&lt;p&gt;A finales del siglo XVIII, es posible que antes, se comenzaba a conocer en un cuadril\u00e1tero de la Baja Andaluc\u00eda cuyos v\u00e9rtices fueron C\u00e1diz, Ronda, \u00c9cija y Sevilla la pr\u00e1ctica flamenca. Realizada por comunidades gitanas que se asentaron en el espacio territorial descrito, consist\u00eda en el relato entre los propios gitanos de las miserias y sufrimientos que padec\u00edan durante sus vidas. Se trataba de una pr\u00e1ctica marginal en Andaluc\u00eda, desarrollada en reuniones familiares donde se cuidaba que no hubiera nadie que no perteneciera al clan. En estas ceremonias se compart\u00eda un cante que relataba las vicisitudes, miedos, angustias y sue\u00f1os de los integrantes de este pueblo. Un ritual desnudo, carente de guitarras y baile, donde el cante, jondo, era el \u00fanico medio expresivo posible, entendiendo jondo como la m\u00e1xima expresi\u00f3n de la angustia nacida de la experiencia y la memoria. Un cante sin educar ni adiestrar, una voz quebrada e incontrolada que surg\u00eda del sufrimiento de quienes lo compart\u00edan.Desde finales del siglo XVIII hasta la actualidad ha evolucionado mucho la situaci\u00f3n social de la comunidad gitana que se instal\u00f3 en la Baja Andaluc\u00eda. La pr\u00e1ctica flamenca se fue haciendo progresivamente p\u00fablica a medida que los gitanos se fueron convirtiendo en parte esencial de la sociedad andaluza. Esta integraci\u00f3n del pueblo gitano ha permitido que en la actualidad la pr\u00e1ctica flamenca se haya convertido en un arte estudiable y abierto as\u00ed como en un espect\u00e1culo integrado dentro de la cadena econ\u00f3mica contempor\u00e1nea provocando no pocas mutaciones respecto a su pr\u00e1ctica original.El ritual de confesiones privadas se ha convertido en interpretaci\u00f3n abierta frente a un p\u00fablico ajeno, el sentir jondo ha dejado de narrarse a trav\u00e9s de cantaores para pasar a la voz de int\u00e9rpretes que cargan con la memoria de las vivencias sus familiares. La espectacularizaci\u00f3n ha tra\u00eddo consigo la omnipresencia de la fiesta y el jaleo en la pr\u00e1ctica flamenca, llegando a i&lt;\/p&gt;\n\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/02\/adrianmorillo\/4jondo-www.adrianmorillo.com_.jpg?fit=860%2C573&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/02\/adrianmorillo\/4jondo-www.adrianmorillo.com_.jpg?fit=1100%2C733&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-7168\" src=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/02\/adrianmorillo\/4jondo-www.adrianmorillo.com_.jpg?resize=860%2C573&#038;ssl=1\" alt=\"Jondo\" width=\"860\" height=\"573\" srcset=\"https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/02\/adrianmorillo\/4jondo-www.adrianmorillo.com_.jpg?resize=860%2C573&amp;ssl=1 860w, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/02\/adrianmorillo\/4jondo-www.adrianmorillo.com_.jpg?resize=150%2C99&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.foto8.com\/live\/wp-content\/uploads\/2014\/02\/adrianmorillo\/4jondo-www.adrianmorillo.com_.jpg?w=1100&amp;ssl=1 1100w\" sizes=\"(max-width: 860px) 100vw, 860px\" data-recalc-dims=\"1\" \/><\/p>\n<p><span style=\"line-height: 1.5em;\">This work has been accomplished in the south of Andalusia, the legendary birthplace of flamenco, looking for the Jondo sentiment in current Cal\u00e9 communities inheriting the flamenco practice.<\/span><\/p>\n<p>Jondo is a word that refers to a dark and broken singing, common in pioneer flamenco singers. This kind of singing narrates the sorrows and miseries in Cal\u00e9&#8217;s life during the origins of flamenco. Jondo also refers to a way to feel and understand existence beyond folk singing, sharing a melancholy and uncomplaining perspective of life.<\/p>\n<p>Currently Cal\u00e9 people have been settled in Andalusia for three centuries and their lifestyle has changed. They are no longer migrants and they don\u2019t suffer scorn from the inhabitants of Andalusia. The Cal\u00e9 are fully integrated into Spanish society, for that reason Flamenco singing and it&#8217;s historical perspective are said to be diminishing nowadays.<\/p>\n<p style=\"text-align: left;\">Adri\u00e1n Morillo<br \/>\n<a href=\"http:\/\/www.adrianmorillo.com\" target=\"_blank\" rel=\"noopener\">www.adrianmorillo.com<\/a><\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/www.foto8.com\/stories\/flamenco_to_web\/\" width=\"880\" height=\"610\" frameborder=\"0\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This work has been accomplished in the south of Andalusia, the legendary birthplace of flamenco, looking for the Jondo sentiment in current Cal\u00e9 communities inheriting the flamenco practice. Jondo is a word that refers to a dark and broken singing, common in pioneer flamenco singers. This kind of singing narrates the sorrows and miseries in [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":7168,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[10,20],"tags":[2900,2509,2903,2902,2907,2905,2904,2901,2906],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jondo, the Spirit of Flamenco by Adri\u00e1n Morillo - FOTO8<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.foto8.com\/live\/jondo-by-adrian-morillo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jondo, the Spirit of Flamenco by Adri\u00e1n Morillo - FOTO8\" \/>\n<meta property=\"og:description\" content=\"This work has been accomplished in the south of Andalusia, the legendary birthplace of flamenco, looking for the Jondo sentiment in current Cal\u00e9 communities inheriting the flamenco practice. Jondo is a word that refers to a dark and broken singing, common in pioneer flamenco singers. 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